Friday, June 29, 2012

CELEBRITY BREAK UPS: Tom Cruise and Katie Holmes are getting divorced after almost six years of marriage.



“This is a personal and private matter for Katie and her family,’’ says Holmes’s lawyer, Jonathan Wolfe. “Katie’s primary concern remains, as it always has been, her daughter’s best interest.”
Holmes filed papers in New York City on Thursday, citing irreconcilable differences and seeking sole custody of the couple’s 6-year-old daughter Suri in a move that came “out of the blue” for the Mission: Impossible actor, said one source with knowledge of the situation.
The source said the filing came as a surprise to Cruise, who is out of the country filming a movie in Iceland.
Cruise’s spokeswoman issued a brief statement, saying: “Kate has filed for divorce and Tom is deeply saddened and is concentrating on his three children. Please allow them their privacy to work this out.”
TMZ says the couple “have a pre-nup. The net worth of both Tom and Katie is around $275 (million U.S.), but clearly Tom raked in most of that.”
Holmes did not attend any of Cruise’s recent Rock of Ages promotions and premieres. Cruise did, however, talk about her in Playboy in May, saying, “Family for me has always been important. When I shoot, everybody comes. When Kate’s shooting, I’m there with her and the kids. We’re always together.”
He went on about Holmes: “She is an extraordinary person, and if you spent five minutes with her, you’d see it. Everything she does, she does with this beautiful creativity. She’s funny and charming, and when she walks into the room, I just feel better. I’m a romantic. I like doing things like creating romantic dinners, and she enjoys that.”
“I don’t know what to say. I’m just happy, and I have been since the moment I met her. What we have is very special.”
Who talks like that?
Obviously something changed in the past few months because now the fakeytale is over.
In seemingly happier times, Cruise jumped for joy on Oprah’s couch and Holmes told W: “Meeting Tom — I’m just exhilarated. He makes me laugh, we have fun, we understand each other, everything is so aligned. I feel so lucky and so — like I’ve been given such a gift, such a gift, you know? And it’s just really amazing.”
Now we know who talks like that — Holmes.
It is, of course, just nasty gossip that we heard again and again about Cruise supposedly auditioning a number of actresses, among them Scarlett Johansson and Jennifer Garner, for the role of wife before finding Holmes.
Holmes, 33, and Cruise, 49, have a daughter, Suri. Cruise has two children from his marriage to Nicole Kidman. His first wife was Mimi Rogers.
With files from Reuters News Agency





 

UNO News Net: SEX AND OBSESSION - WEB O LIES: A General Motors manager has been found guilty of arson in an early-morning fire that broke out three years ago in her then-fiancé’s GTA home

UNO News Net: SEX AND OBSESSION - WEB O LIES: A General Motors manager has been found guilty of arson in an early-morning fire that broke out three years ago in her then-fiancé’s GTA home

Saturday, June 23, 2012

MOVIE SUPERSTARS: Cate Blanchett in "Heaven"

 

Heaven (2002 film)

Heaven
Directed byTom Tykwer
Produced byStefan Arndt,
William Horberg
Written byKrzysztof Kieślowski
Krzysztof Piesiewicz
StarringCate Blanchett
Giovanni Ribisi
CinematographyFrank Griebe
Editing byMathilde Bonnefoy
Distributed byMiramax Films (USA)
Release date(s)6 February 2002
Running time96 minutes
LanguageEnglish, Italian
BudgetUS$11,000,000
Heaven is a 2002 Film directed by Tom Tykwer, starring Cate Blanchett and Giovanni Ribisi. Co-screenwriter Krzysztof Kieślowski intended for it to be the first part of a trilogy (the second being Hell and the third having been slated to be titled Purgatory), but died before he could complete the project. The dialogue is mixed between Italian and English.

Contents

 1 Plot
  • 2 Critical reception
  • 3 References
  • 4 External links

Plot

The film is set in Turin, Italy. It opens with a prologue sequence showing the young Italian Carabinieri clerk Filippo (Ribisi) learning to fly a helicopter using a flight simulator. When he accidentally crashes the virtual helicopter by ascending too dramatically, his instructor tells him that "In a real helicopter, you can't just keep going up and up," prompting Filippo to ask, "How high can you go?" The film then cuts to Phillipa (Blanchett), who is preparing to plant a bomb in the downtown office of a high-ranking businessman. Although everything goes according to her plan, the trash can in which she places the bomb is emptied by a janitor immediately after she leaves and later explodes in an elevator, killing four people.
Philippa is tracked down by the Carabinieri, arrested, and brought to the station where Filippo works. When she is questioned, she reveals that she is an English teacher at a local school where several students have recently died of drug-related causes. Discovering that they had all been supplied by the same local cartel, she had contacted the Carabinieri with the names of the drug ring leaders, begging them to intervene, but was repeatedly ignored. At her wits' end, she decided to kill the leader of the cartel, the businessman whose office she targeted. In the process of her interrogation, Filippo (who is translating her confession for his superiors) falls in love with Philippa and helps her escape from Carabinieri custody. After she kills the drug lord who was her original target, the pair become fugitives from the law and flee to the countryside, where they eventually find refuge with one of Philippa's friends and finally consummate their relationship. When the authorities raid the house where they are hiding, they steal a Carabinieri helicopter parked on the front lawn and escape by air. The officers on the ground fire repeatedly at them to no avail as the craft climbs higher and higher and finally disappears.

Critical reception

Though comparisons abound to Kieślowski's earlier films, Roger Ebert also sees a similarity to Tykwer's own Run Lola Run and The Princess and the Warrior. Though Heaven is "more thoughtful, proceeds more deliberately, than the mercurial haste" of Tykwer's own films, "it contains the same sort of defiant romanticism, in which a courageous woman tries to alter her fate by sheer willpower."[1]
Alex Grant finds the film to be "an hommage to Italian painters of the C16th and C17th eras. European architecture has seldom played such a huge role in defining character and human interaction as Tykwer allows it to do here. Beings dwarfed and trapped by spaces both interior and exterior."[2]

References

External links