Tuesday, May 19, 2015

TIFF 2015: 40th TORONTO INTERNATIONAL FILM FESTIVAL ANNOUNCES ITS PROGRAMMERS

Tifflogo

May, 2015


.NEWS RELEASE.


TORONTO — Piers Handling, Director and CEO of TIFF, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, reveal the team of 22 programmers who will make the selections for the 40th Toronto International Film Festival®, which runs Thursday, September 10 through Sunday, September 20, 2015.



Piers Handling

Europe, City to City: London, Special Presentations, Gala Presentations

Handling is the Director and Chief Executive Officer of TIFF. He has held this position since 1994, and is responsible for leading both the operational and artistic growth of the organization. Under Handling’s direction, TIFF has grown to become an internationally renowned cultural institution. He has curated numerous film retrospectives, presented programmes of Canadian cinema, sat on festival juries all around the world, and has published extensively on Canadian cinema. In 2013, Handling co-curated a multi-platform celebration of iconic Canadian director David Cronenberg, the exhibition component of which is currently touring to cultural institutions worldwide. In 2014, Handling was invested into the Order of Ontario, the province’s highest official honour.

Cameron Bailey

Western Europe, South Asia, the Caribbean, USA, City to City: London, Special Presentations, Gala Presentations

Bailey is the Artistic Director of the Toronto International Film Festival. Since 2008 he has been responsible for the overall vision and execution of the Festival’s selection. Bailey began programming for the organization in 1990, and worked both as a film programmer and film critic for 20 years before taking on his current role. As a programmer and curator, he has organized film series for local and international festivals and galleries including the National Gallery of Canada and Australia’s Sydney International Film Festival.

Michèle Maheux

Ireland, the Netherlands, Special Presentations, Gala Presentations

Celebrating her 27th Festival this September, Maheux is the Executive Director and Chief Operating Officer for TIFF, where she is responsible for all business operations of the $44-million cultural charity — including TIFF Bell Lightbox, the organization’s year-round home. She has been a member of provincial, municipal, industry and arts organization committees, and has served as a juror at international film festivals and as a mentor within the industry. In 2011 she was recognized by WXN among the Top 100 Most Powerful Women in Canada and in 2012 she was awarded, with Piers Handling, the Queen Elizabeth II Diamond Jubilee Medal. She is Vice Chair of the Board of Governors of Ryerson University and is a Director of the Movie Theatre Association of Canada.

Kerri Craddock

Belgium, Special Presentations, Gala Presentations

Craddock is the Director of Programming for the Festival. She joined the organization in 2007 and regularly represents the Festival at the Sundance, Berlin and Cannes film festivals. Craddock served on the jury for the 2013 Philadelphia Film Festival Feature Documentary Competition, the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014. She will speak on a panel at the 2015 Cannes festival discussing Swedish films.

Jesse Wente

Wente is the Director of Film Programmes at TIFF, overseeing new releases, series and TIFF Cinematheque programming and scheduling, as well as TIFF’s national distribution program Film Circuit. Some of his contributions to programming since the opening of TIFF Bell Lightbox in 2010 include retrospectives on Roman Polanski, Paul Verhoeven, Ousmane Sembène, Oscar Micheaux, Studio Ghibli and Robert Altman. Prior to his role as Director, Wente served as one of the Canadian features programmers for the Toronto International Film Festival, and also programmed for the imagineNATIVE Film and Media Festival.


Jason Anderson

Short Cuts


Anderson is co-programmer for the Festival’s Short Cuts programme. He has written about film and the arts for a wide variety of Canadian and international publications, and was a long-time film critic and columnist for The Grid and its predecessor Eye Weekly. He contributes regularly to such publications as Cinema Scope, Sight & Sound, Uncut, Montage, POV, the Toronto Star and the National Post. He teaches criticism and feature writing at the University of Toronto and Ryerson University, and has been the Director of Programming for the Kingston Canadian Film Festival since 2010. Anderson sat on the jury for the Festival’s Best Canadian Feature Film award in 2014, and previously served on competition juries including the Canada’s Top Ten Film Festival, the Canadian Screen Awards, Hot Docs, Reel Asian, the Toronto Jewish Film Festival and the Images Festival.



Brad Deane

TIFF Cinematheque

Deane is a Senior Manager of Film Programmes at TIFF and part of the programming team for TIFF Cinematheque, which selects and presents the classics of world cinema and contemporary art-house films year-round at TIFF Bell Lightbox. Since 2012, Deane has led the curation of the TIFF Cinematheque programme for the Festival, which showcases recent restorations and preserved archival prints from the history of Canadian and international cinema. In 2013, he sat on the jury for the Best Short Film Discovery Award at the 52nd edition of La Semaine de la Critique.

Dimitri Eipides

Eastern and Central Europe, Western and Central Asia, Greece

Eipides has been with the Festival since 1988. His extensive programming career began when he established the Independent Filmmakers Cooperative in Montreal in 1969. In 1971, Eipides founded the Festival International du Nouveau Cinéma et de la Vidéo de Montréal, where he served as Director until 1994. In 1992 he began his tenure as Artistic Director of the New Horizons section of the Thessaloniki International Festival in Greece, and in 1999 he founded the Thessaloniki Documentary Festival – Images of the 21st Century, for which he still acts as Director. He was named General Director of the Thessaloniki International Film Festival in 2010. In June he’ll receive a special citation by the Ambassador of Canada in Athens recognizing his contributions to Canada-Greece relations.

Giovanna Fulvi

East and Southeast Asia

Fulvi has been programming for the Festival since 2002. She is based in Italy, where she works as a programming consultant for the Rome Film Festival, and has served as a film consultant and acquisitions manager for various organizations over the past 19 years, including the International Film Festival Rotterdam and the Torino Film Festival. Fulvi is currently the Head of Acquisitions for Filmauro in Rome. She also worked on Bernardo Bertolucci’s The Last Emperor as a historical and cultural researcher.



Colin Geddes

Midnight Madness, Vanguard

A programmer with the Festival since 1998, Geddes’ additional programming efforts have included the Asian rep theatre Golden Classics Cinema, TIFF Cinematheque, FantAsia Toronto, and ActionFest in Asheville, North Carolina, where he served as Festival Director for two years. In 2004 he founded Ultra 8 Pictures, using his strong understanding of international festivals and genre cinema to help filmmakers and bring offbeat international films to Canada and the world. Together with his wife Katarina Gligorijević, Geddes currently programs The Royal, a restored art deco cinema in downtown Toronto.

Steve Gravestock

Canada, the Philippines, Nordic Region

Gravestock has selected Canadian feature films for the Festival since 2004, and previously programmed films from India, Australia, and the Netherlands. As a Senior Programmer at TIFF he is responsible for the organization’s year-round Canadian programming initiatives, including the Canada’s Top Ten Film Festival and the year-round Canadian Open Vault programme featuring homegrown classics. Gravestock also oversees TIFF’s ongoing series of monographs on Canadian films and filmmakers.


Danis Goulet

Short Cuts
Goulet is co-programmer for the Festival’s Short Cuts programme. She is the former Artistic Director of the imagineNATIVE Film + Media Arts Festival, and has curated award-winning short film commissioning projects. She has developed initiatives for the Ontario Arts Council, served on the boards of the Toronto Arts Council and the Images Festival, and is a former programming committee member for the CFC Worldwide Short Film Festival. Goulet’s works as a filmmaker have screened at numerous festivals in Canada and around the world, including the Toronto International Film Festival, Berlinale, imagineNATIVE and the Sundance Film Festival. She is an alumnus of the TIFF Talent Lab and the National Screen Institute’s Drama Prize Program.

Michael Lerman

Primetime

Lerman joined the Festival in 2013 and is the programmer for the Festival’s new Primetime programme which presents the best in international television on the big screen. Since 2010, he has been the Artistic Director of the Philadelphia Film Society, and currently serves as the Senior Programmer for the Stanley Film Festival. Previously, he has programmed for the Woodstock Film Festival, the Montclair Film Festival and Fantastic Fest. Lerman is the co-founder of the independent production company Tiger Industry Films.

Kathleen McInnis

Short Cuts

McInnis joined the Festival’s programming team in 2014 and is co-programmer for Short Cuts. She is a film strategist with a background in film festivals and publicity consulting. A veteran of the global film festival circuit, she has programmed for the Seattle International Film Festival and served as Festival Director for the Slamdance Film Festival and the Palm Springs International ShortFest. McInnis currently teaches film festival strategies at the University of California, Los Angeles, and has guest lectured at the University of Southern California, New York University’s Tisch/Asia (Singapore), Brooklyn College and Columbia College Chicago film schools. She is a member of BAFTA-LA, Australians in Film, and Film Independent.

Elizabeth Muskala

TIFF Kids

As the Director of Youth Learning, Muskala oversees all aspects of the organization’s extensive year-round programming for children, youth, educators, families and TIFF’s charitable initiatives. She is lead programmer and facilitator of the TIFF Kids International Film Festival, the TIFF Next Wave Film Festival, TIFF Kids selections at the Toronto International Film Festival, and co-curator of digiPlaySpace, an award-winning interactive media exhibition for children.

Andréa Picard

Wavelengths

Picard has worked for TIFF since 1999, and was a member of the TIFF Cinematheque programming team for 12 years. Since 2006 she has curated Wavelengths, the Festival’s critically acclaimed avant-garde programme. As an independent writer and curator, she has collaborated with local and international institutions such as Le Centre Pompidou, Vienna’s Belvedere and MAK museums, the 25FPS festival in Zagreb, and the Secession. Picard has sat on juries for numerous organizations and festivals worldwide. She currently sits on the Advisory Board of the Images Festival, and is a former Board Member of Art Metropole.

Thom Powers

TIFF Docs

Powers has served as an International Documentary Programmer for the Festival since 2006. He created and leads the Festival’s Doc Conference, and for nine years he programmed the Mavericks discussion series hosting cinematic innovators. Powers also oversees programming for the digital streaming service SundanceNOW Doc Club, and programs for the Miami International Film Festival. He and his wife, Raphaela Neihausen, serve as directors of DOC NYC, run the weekly documentary screening series Stranger than Fiction at Manhattan’s IFC Center, and helped start the New Jersey–based Montclair Film Festival, which they ran for three years. Powers teaches documentary producing at the School of Visual Arts, and previously taught for 12 years at New York University.


Rasha Salti

Africa, the Middle East
Salti, an independent film and visual-arts curator and writer, joined the Festival in 2011. She served as a film programmer and creative director for the New York–based ArteEast, where she directed two editions of the biennial CinemaEast Film Festival. She has collaborated with a number of organizations, including the Musée Jeu de Paume in Paris, and the Tate Modern in London.

Salti was one of the co-curators of the 10th edition of the Sharjah Biennial for the Arts in 2010. In February 2015, she co-curated the exhibition Past Disquiet; Ghosts and Narratives from the International Art Exhibition for Palestine (Beirut, 1978), which was inaugurated at the Museum of Contemporary Art in Barcelona (MACBA).



Diana Sanchez

Spain, Portugal, Latin America

Sanchez has worked with the Festival since 2002. She is also active with a variety of other festivals and cinematic presentations, serving as the Artistic Director for the International Film Festival Panama, and a programme consultant for the Miami International Film Festival, where she co-created the Encuentros programme, an initiative that helps fund films in post-production. She also programs Latin Wave with the PROA Foundation in Argentina, a series that screens internationally. Sanchez has served on the jury for the Ecuadorian Ministry of Culture Film Fund, the Havana Film Festival and the script-development fund at the Colombian Ministry of Culture.

Jane Schoettle

Australia, New Zealand, Israel, Germany, USA

Having worked with TIFF since 2002, Schoettle is the founder and former director of the TIFF Kids International Film Festival (formerly Sprockets). She has participated in numerous film residency programmes, including the South Australian Film Corporation at the Adelaide Film Festival and Screen Australia in Sydney, and served most recently on the jury for the Jerusalem Film Lab. Schoettle also works as an independent script consultant and programmes American Independents for the Miami International Film Festival.

Magali Simard

Canada

Simard is the Manager of Film Programmes at TIFF, working on new releases, TIFF Cinematheque, the Human Rights Watch Film Festival and ongoing film series. Bringing her experience in the Canadian film industry and deep knowledge of Quebec cinema, she sits on the programming team for the Toronto International Film Festival’s Canadian feature films. She co-programmed the Festival’s Short Cuts Canada section for five years. Simard has served on juries for the Berlinale Teddy Awards, Rio de Janeiro’s Curta Cinema, the Festival du Nouveau Cinema and the Sundance Film Festival.

Shane Smith

Short Cuts

Smith serves as the Director of Special Projects for TIFF, and oversees the Festival’s Short Cuts programme. Since joining TIFF in 2010, he is responsible for a variety of year-round initiatives such as TIFF in the Park and the touring digiPlaySpace digital exhibition. In his prior role as Director of Public Programmes, Smith oversaw the TIFF Kids International Film Festival and the TIFF Next Wave Film Festival. He has previously programmed for Inside Out and the Sundance Film Festival, and he was director of the CFC Worldwide Short Film Festival from 2001 to 2005.

Social Media:

@TIFF_NET

#TIFF15

Facebook.com/TIFF


About TIFF
TIFF is a charitable cultural organization whose mission is to transform the way people see the world, through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.

The Toronto International Film Festival is generously supported by Lead Sponsor Bell, Major Sponsors RBC,

L’Oréal Paris and Visa, and Major Supporters the Government of Ontario, Telefilm Canada and the City of Toronto.

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For information, contact the Communications Department at 416.934.3200 or email proffice@tiff.net.

TIFF and ICFF celebrate Italy’s most beloved cinematic couple : ROBERTO BENIGNI AND NICOLETTA BRASCHI IN PERSON AT TIFF BELL LIGHTBOX







MAY, 2015



.NEWS RELEASE.
ROBERTO BENIGNI AND NICOLETTA BRASCHI IN PERSON AT TIFF BELL LIGHTBOX
TIFF and ICFF celebrate Italy’s most beloved cinematic couple

with a retrospective of their work together
 
TORONTO — TIFF and the Italian Contemporary Film Festival (ICFF) announced today their joint summer programme Roberto Benigni & Nicoletta Braschi: A Beautiful Life, a film retrospective that celebrates the multi-talented Italian couple. Running from June 4 until June 9, it features several in-person events including an onstage conversation about their lives and creative collaboration; joint introductions and Q&A sessions for a selection of the acclaimed films they have made together, including the Academy Award-winning Life is Beautiful (1997) as well as Jim Jarmusch’s "neo-Beat-noir-comedy" Down by Law (1986), and a free, daytime screening of the hilarious mistaken-identity farce Johnny Stecchino (1991) for post-secondary students and faculty. They will also do a joint introduction of their Carte Blanche selection, Vittorio De Sica’s enchanting blend of realism and fantasy Miracle in Milan (1951), as well as solo introductions and Q&A sessions with Braschi for Francesca Comencini’s I Like to Work (Mobbing) (2004) and by Benigni for Federico Fellini’s The Voice of the Moon (1990).



"We are honoured to welcome Mr. Benigni and Mrs. Braschi to our year-round home to celebrate their extraordinary collaboration," said Jesse Wente, Director of Film Programmes, TIFF Bell Lightbox. "Their films have inspired audiences around the world and we are excited to be able to offer film lovers the unique opportunity to experience the beauty and impact of these works on the big screen with both of them in attendance. We are grateful to our co-presenting partner, the ICFF, and our programming partner, the University of Toronto, who have collaborated with us in putting together this great retrospective."

"This exceptional couple has crafted magnificent films that are extremely important in the context of Italian modern cinema. We are honoured to co-present with TIFF. This retrospective beautifully reflects Italian culture and weaves romance, tragedy and comedy together in a way that is heart felt and epic, added Cristiano de Florentiis, ICFF Artistic Director. "We congratulate Benigni and Braschi for their honorary University of Toronto degree and thank prof. Michael Lettieri for the collaboration that made this retrospective possible. "
 
Roberto Benigni is one of the most acclaimed Italian actors, directors and screen comedians working today. Born in Florence, Italy, he began his career at age 20 working in experimental theatre in Rome. He went on to write, direct and act in plays and films, making his directorial debut in 1983 with You Upset Me. Among the films he has written, directed and starred in are the Oscar-winning Life is Beautiful, which also picked up the People's Choice Award at the Toronto International Film Festival and the Grand Jury Prize at Cannes; the Italian box-office giant Johnny Stecchino; The Little Devil (1988) and The Monster (1995). He is best known for his memorable performances in Jim Jarmusch's Down By Law (1986) and Night on Earth (1992).

Italian actress and producer Nicoletta Braschi is a frequent collaborator of her husband, Roberto Benigni, and director Jim Jarmusch (Down By Law and Mystery Train). She has worked with Benigni since 1983, starring and acting opposite him in the films Tu mi Turbi (1983), Johnny Stecchino, and Life is Beautiful — a film which launched her to international acclaim. Her performances have earned her two David di Donatello awards — Italy's highest acting honour — and a Screen Actors Guild nomination.

The retrospective marks the launch of the Italian Contemporary Film Festival's 2015 program, which runs from June 11 to June 19. The nine-day festival celebrates Italian art, culture, fashion and design through contemporary films from around the world. For more information and program schedule visit http://icff.ca/.

TIFF will continue to celebrate Italian cinema this season with Summer in Italy, a deluxe series of classics, featuring several restorations of key films by such masters as Luchino Visconti, Federico Fellini and Roberto Rossellini, and More Than Life Itself:

Rediscovering the Films of Vittorio de Sica, the first Toronto retrospective in twenty years dedicated to the great director. Complete details to be announced on May 20.

Tickets for Roberto Benigni & Nicoletta Braschi: A Beautiful Life go on sale on May 20 for TIFF Members and May 27 for the public. Visit tiff.net/abeautifullife for ticket information.



See below for complete schedule.
 
ROBERTO BENIGNI & NICOLETTA BRASCHI: A BEAUTIFUL LIFE
Life is Beautiful (La vita è bella)
 
 
Roberto Benigni and Nicoletta Braschi in person for introduction and Q&A session
 
 
dir. Roberto Benigni | Italy | 1997 | 116 min. | PG | 35mm



Roberto Benigni's inspirational fable, about a loving father who uses his colourful imagination to shield his son from the horrors of a Nazi concentration camp, was beloved by audiences worldwide and won three Academy Awards, including Best Actor and and Best Foreign Language Film.
 
Thursday, June 4 at 8:45 p.m.
Free screening
 
Higher Learning: Johnny Stecchino with Roberto Benigni and Nicoletta Braschi
Roberto Benigni and Nicoletta Braschi join post-secondary students and faculty for a screening of their madcap gangster satire, Johnny Stecchino. Higher Learning events during the Summer are open to the public. Higher Learning events during the Summer are open to the public. Tickets will be made available on a first-come, first-served basis. They are limited to one per person and are available two hours before the event’s start time at the Steve & Rashmi Gupta Box Office at TIFF Bell Lightbox, located at Reitman Square, 350 King Street West.





Johnny Stecchino
 
 
Roberto Benigni and Nicoletta Braschi in person for Q&A session
 
 
dir. Roberto Benigni | Italy | 1991 | 117 min. | 14A | 35mm



An accident-prone bus driver (Roberto Benigni), who happens to be an exact lookalike for a Sicilian mob boss marked for death, is set up for assassination by the — capo's wife (Nicoletta Braschi), in this uproarious slapstick comedy that was one of the biggest hits of all time at the Italian box office.
 
Friday, June 5 at 11 a.m.

In Conversation With... Roberto Benigni and Nicoletta Braschi
 
The first couple of Italian cinema take the stage to talk about their lives, the creative process behind their films, and their memorable collaborations with Jim Jarmusch.
 
Friday, June 5 at 7 p.m.

Carte Blanche
Miracle in Milan (Miracolo a Milano)
 
 
Nicoletta Braschi and Roberto Benigni in person for introduction and Q&A session
 
 
dir. Vittorio De Sica | Italy | 1951 | 96 min. | G | Digital
 
 
A group of shantytown dwellers band together to protect their land from rapacious capitalists, in De Sica's enchanting melding of neorealism and fantasy.
 
Friday, June 5 at 9:15 p.m.
I Like to Work (Mobbing) (Mi piace lavorare (Mobbing)
 
 
Nicoletta Braschi in person for introduction and Q&A session
 
 
dir. Francesca Comencini | Italy | 2004 | 89 min. | 14A | 35mm




Nicoletta Braschi gives a subtle and sensitive performance as a single working mother who finds herself targeted in a systematic campaign of workplace intimidation and harassment.
 
 
Saturday, June 6 at 5 p.m.
 
Down by Law
 
 
 
 
dir. Jim Jarmusch | USA 1986 | 107 min. | 14A | 35mm
 
 
Roberto Benigni and Nicoletta Braschi in person for introduction and Q&A session
 
 
Roberto Benigni and Nicoletta Braschi collaborated with American director Jim Jarmusch for the first time on this "neo-Beat-noir-comedy" about three prisoners who make a break for freedom through the Louisiana bayou.
 
Saturday, June 6 at 8 p.m.
The Voice of the Moon (La voce della luna)
 
 
 
dir. Federico Fellini | Italy/France | 1990 | 120 min. | 35mm
 
Roberto Benigni in person for introduction and Q&A session
 
 
Roberto Benigni stars as a dreamy visionary searching for the source of the voices he hears just below the din of modern life, in the last film by the great Federico Fellini.
 
Sunday, June 7 at 7 p.m.

Trailers
Life is Beautiful

Johnny Stecchino

Down by Law
 
 
 
Social Media:
 
@TIFF_NET

@ICFFToronto

#ABeautifulLife

Facebook.com/TIFF

Facebook.com/ICFFItalianContemporaryFilmFestival

TIFF prefers Visa.
 
About TIFF
 
TIFF is a charitable cultural organization whose mission is to transform the way people see the world through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.



TIFF is generously supported by Lead Sponsor Bell, Major Sponsors RBC, L'Oréal Paris, and Visa,

and Major Supporters the Government of Canada, the Government of Ontario, and the City of Toronto.

About ICFF
 The 4th annual Italian Contemporary Film Festival [ICFF], among the most important Italian film festival in the world, takes place from June 11th to June 19th, 2015, during Canada and Ontario’s "Italian Heritage month. It is presented in Canada in the Cities of Toronto, Vaughan, Hamilton, Mississauga, Montreal and Quebec City. Nine days to celebrate the brilliance of Italian contemporary cinema and filmmakers from all over the world. Nine days to explore Italian contemporary cinema and discover the cultural richness of Italian

heritage. Nine days to experience the influence of Italian film, culture, fashion and design. Using the power of the moving image to both entertain and educate, ICFF defies conventional perspectives on complex and challenging issues facing both the Italian and the global communities. All films are in Italian or other foreign languages subtitled in English (and French in the Province of Quebec). The festival will present an international collection of feature films, documentaries and shorts, including premieres, advance screenings and independent films. Screenings will be supplemented by guest appearances by filmmakers, actors, authors, academics and other expert speakers and complemented by Q&A sessions.
 
ICFF is generously supported by the Leading Sponsors The Ritz-Carlton Toronto, Castlepoint, GFL and Major Partners TIFF, Cineplex, Cinematheque Quebecoise, Cinema Guzzo, Cinema Cartier, Ambasciata d’Italia, Consolato d’Italia a Toronto e Montreal, Istituto Italiano di Cultura, Italian Trade Commission, L’Altra Italia

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For more information:

TIFF Communications Department

416-934-3200
 
proffice@tiff.net
 
 
ICFF PR

Daniela Syrovy, ClutchPR

416-319-3511
 
daniela@clutchpr.com
 
 
For images visit the media site at tiff.net/press;

Monday, May 11, 2015

Pampita Ardohain: “No me quiero perder el día a día”


pampita2adentro

A tan solo seis meses del nacimiento de su cuarto hijo, está radiante como acostumbra después de cada embarazo. Viajamos a Buenos Aires invitadas por Garnier para conocer su nueva variedad de coloración, de la que Pampita es embajadora, y hablamos con ella de su maternidad ‘gitana’ y de cuánto disfruta la crianza, aun cuando dice ser una madre poco relajada en cuanto a las responsabilidades escolares, aunque sus hijos “ya saben mis puntos débiles y hacen lo que quieren conmigo”, admite.
Revista Mujer / 11 mayo 2015
Por Francisca Colussa desde Buenos Aires Fotos Nicolás Levin Asistentes de fotografía Demián Scalona y Violeta Epelbaum Maquillaje Estefanía Novillo para YSL Pelo Margarita Porto para Sergio Lamensa Producción Julieta Enríquez Agradecimientos Factor Estudio
A las 7.30 de la mañana llega Carolina Ardohain, Pampita (37), para la sesión de fotos. Se ve preciosa con su pelo castaño y radiante sin una gota de maquillaje. Si no fuera porque en mitad de la producción hace una pausa para sacarse leche, es imposible detectar que estuvo embarazada hace apenas 6 meses de su hijo Benicio. La maternidad le sienta bien, no hay dudas, y la disfruta a concho con sus hijos Bautista (7), Beltrán (2) y Benicio. Además está viviendo un excelente momento profesional como jurado del reality Desafío Fashionista en Discovery Home & Health y como conductora de un programa de entrevistas (C-Mag) para un canal de cable argentino. La vida en Buenos Aires la tiene feliz.
pampita2adentro¿Cómo ha sido el regreso a Buenos Aires? Nunca nos fuimos, porque siempre estamos yendo a los dos países, los niños van al colegio en los dos países y tenemos casa en los dos lados, y familia y amigos, entonces es muy natural. Vamos constantemente de vacaciones o en fines de semana largos. Ya nos acostumbramos a esto. En mi cabeza decir que no voy a vivir nunca más en Argentina sería algo muy, muy fuerte, y para Benjamín lo mismo; sentir que se viene a Argentina para siempre tampoco podría procesarlo. Entonces, esto la verdad que nos acomoda bastante, saber que podemos estar en los dos lados…pero sí conscientes de que cuando los niños lleguen al secundario (media) la educación comienza a ser más distinta en un país que en otro, entonces ya después por lo menos vamos a tener que planear un año entero. Eso de planear por 3 meses ya no va a poder ser.
¿Cómo funciona el tema ‘colegios’ simultáneo en ambos países? El proyecto familiar es que estemos todos juntos y Benjamín se va mudando de país, entonces tenemos que acompañarlo. Lo afectivo es lo más importante y ellos mantienen sus mismos amigos cada vez que van a un lado o a otro, y si en el colegio hay alguna materia que no está en el otro, se apoya con una maestra particular.
¿Es difícil llegar a acuerdo con los colegios? Si ellos ven de tu parte un compromiso de que las materias que pierden al volver, las tengan al día, la verdad que se adaptan bastante bien y nosotros somos superresponsables con eso. Es más, se contactan semana a semana con los colegios y van haciendo la misma tarea que se está haciendo al otro lado, entonces cuando vuelven, están al mismo nivel que sus compañeros. Pero también un compromiso de nosotros como papás y que el colegio lo tiene que ver, porque si no, no sería posible.
¿No es un problema que falten a clases? Mis hijos no faltan porque viajamos; es más, son los que menos faltan. Para mí, para nosotros, el colegio es muy importante, es lo más básico. Lo que sí, tienen esa experiencia de vivir otras culturas. Pero te digo que con el colegio soy superestricta porque son etapas en que todo lo que están aprendiendo les va a servir para el resto de sus vidas, entonces en eso no me relajo mucho, quiero que también los colegios que nos reciben sepan que hay un compromiso mutuo. Pero sí, los chicos han vivido en tantos lados (España, Estados Unidos y México) que sienten que el mundo no tiene límites y les parece supernormal vivir en otro país y conocer amigos, culturas, idiomas distintos… Bautista está aprendiendo inglés y chino. Me da una admiración, porque en inglés yo soy malísima y él pronuncia espectacular.

El goce de cada embarazo

Cada vez que Pampita recuerda sus embarazos se ilumina. Es una mujer que disfruta cada semana durante la gestación y sorprende lo rápido que vuelve a su figura. “A veces es la genética, yo como rebién… si hablaras con mis amistades se matarían de risa. A veces es la naturaleza de tu cuerpo, yo vuelvo rápido a mi peso, sin mucho sacrificio, a veces es una cosa de suerte, no hago ninguna cosa loca”.
pampita1adentro-3
Tiene que haber algún secreto. ¿Cómo lo hago? ¡Soy una máquina! (ríe) Te juro, porque un bebé de 6 meses es muy demandante y la lactancia así como la doy yo (libre demanda de leche materna por un año y medio) es estar ahí todo el tiempo para sus necesidades… Y me encanta, para mí es fundamental, pero bueno, también es esclavizante, porque si vengo a trabajar 4 horas tengo que andar con mi sacaleche o a veces llego y en vez de dormir siete horas tengo que amamantar durante la noche y al día siguiente igual tengo que ir trabajar, entonces no es que dormí siete, por ahí dormí cuatro horas. Pero son épocas exquisitas, no me quiero perder el día a día, así que no me lamento por eso.
Con cuatro embarazos, ¿tuviste miedo alguna vez de perder tu figura? No, no, no ¡nunca! Y engordo lo que tengo que engordar en el embarazo, subo entre 15 y 20 kilos, pero disfruto mucho cuando estoy embarazada. Primero, porque bajo el nivel de trabajo, entonces estoy mucho en casa, cocino y estoy mucho con los chicos, es una época que gozo.
¿Te pones en un estado zen? No, más zen no, pero la figura pasa a segundo plano. No me importa para nada cuando estoy embarazada. A pesar de todo eso, igual siempre hago deporte, me encanta nadar y lo hago hasta el final del embarazo, pero no por una cosa estética, sino porque me gusta. Me siento rebién y tengo un montón de energía embarazada, no soy de las que se quedan viendo tele.
¿Eres una mamá regaloneadora? Soy todo, paso por todos los estados. Si hay cosas que me parecen fundamentales me pongo firme, y si tengo que retar o castigar, también, porque lamentablemente me toca educar, así que tengo que ser la mala de la película algún día. Pero en otras cosas soy rerregalona y (los niños) ya saben mis puntos débiles y me conquistan y hacen lo que quieren conmigo (ríe).
¿Cuál es el cambio más importante que experimentaste al ser mamá? Que te saca del eje, es una lección de humildad de ego, realmente tu propia felicidad pasa a segundo plano, las decisiones son siempre compartidas… podés pensar en el otro. Tu persona no es que deje de importar, pero no pasa a ser lo principal.
pampita3adentro-2Todos tus hijos tienen las iniciales B.V.A., ¿fue a propósito? No, se fue dando. Bautista se iba a llamar Facundo, que es un nombre reargentino, pero se filtró unos meses antes y nos dio como ¡uy qué pena!, entonces buscamos una segunda opción y fue Bautista, y luego con Beltrán como que nos sentimos obligados a que fuera con B también, jajaja, y así partió…
¿Cómo organizas tu vida profesional con la maternidad? Mi prioridad son los chicos, primero organizo esa agenda y después yo me adapto. Primero veo las actividades del mes, cumpleaños, cosas, llevarlos-traerlos y luego yo me adapto. Benjamín tiene unos horarios más estrictos, pero yo tengo muchos más días libres.
¿Ya le agarraste la mano a la crianza? Nunca le agarras la mano, te lo juro (ríe). Cuando pensás que le agarraste la mano hay alguno vomitando, otro con no sé qué o qué pataleta y hay que enseñarle a gatear al que sigue, entonces no hay que decir ya está, hay que estar constantemente todos los días. Pero sí hay otra cosa de tranquilidad, de ver las cosas distintas y sin tanta ansiedad, y de preocuparse menos por pavadas, pero después la experiencia del día a día es siempre muy intensa y me parece que va a seguir siendo así, y cuando ellos estén grandes y con hijos, va a seguir siendo así para uno. Descansás en otras cosas, pero dicen que cuando son más grandes, son preocupaciones más grandes.
¿Con Benicio cierras la ‘fábrica’ o te quieres volver a embarazar? Ahora no podría imaginarme todavía nada, porque por lo menos me queda un año más de este ritmo y seguramente después unos meses más para independizarme de Benicio, y después sí, podría ser. Uno quiere, pero después hay que ver qué es lo que Dios manda. Tal vez es el último, tal vez no.

“Aprendí a trabajar con mucho amor”


Carolina está entusiasmada desarrollando sus primeros proyectos propios. Se trata de una línea de zapatos, que la tiene encantada, y además está preparando su primer perfume. “Tuve que aprender a entrenar el olfato. Cuando me invitaron yo quería que fuera algo con lo que de verdad me sintiera identificada, un perfume que yo usaría”, cuenta. Se confiesa muy perfeccionista en el trabajo, pero ha aprendido a soltar las autopresiones y, con los años, a “trabajar con amor”, como ella misma define. “Al principio no me comprometía emocionalmente y ahora de verdad tengo clientes de muchos años y quiero que les vaya bien, quiero que vendan un montón, que estén contentos, que la campaña salga linda. Aprendí a ponerles más corazón a todas las cosas, a dar lo mejor de mí”, explica.