I Am Curious (Yellow)
I Am Curious (Yellow) | |
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North American release poster
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Directed by | Vilgot Sjöman |
Produced by | Göran Lindgren (uncredited) Lena Malmsjö |
Written by | Vilgot Sjöman (uncredited) |
Starring | Vilgot Sjöman Lena Nyman Börje Ahlstedt |
Music by | Bengt Ernryd (uncredited) |
Cinematography | Peter Wester (uncredited) |
Editing by | Wic Kjellin (uncredited) |
Studio | Janus Films |
Distributed by | Grove Press |
Release dates |
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Running time | 122 minutes |
Country | Sweden |
Language | Swedish |
Box office | $27,686,100 (US/Sweden) |
Plot
Director Vilgot Sjöman plans to make a social film starring his lover Lena Nyman, a young theater student who has a strong interest in social issues.Lena's character, also named Lena, lives with her father in a small apartment in Stockholm and is driven by a burning passion for social justice and a need to understand the world, people and relationships. Her little room is filled with books, papers, and boxes full of clippings on topics such as "religion" and "men", and files on each of the 23 men with whom she has had sex. The walls are covered with pictures of concentration camps and a portrait of Francisco Franco, reminders of the crimes being perpetrated against humanity. She walks around Stockholm and interviews people about social classes in society, conscientious objection, gender equality, and the morality of vacationing in Franco's Spain. She and her friends also picket embassies and travel agencies. Lena's relationship with her father, who briefly went to Spain to fight Franco, is problematic, and she is distressed by the fact that he returned from Spain for unknown reasons after only a short period.
Through her father Lena meets the slick Bill (Börje in the original Swedish), who works at a menswear shop and voted for the Rightist Party. They begin a love affair, but Lena soon finds out from her father that Bill has another woman, Marie, and a young daughter. Lena is furious that Bill has not been open with her, and goes to the country on a bicycle holiday. Alone in a cabin in the woods, she attempts an ascetic lifestyle, meditating, studying non-violence and practicing yoga. Bill soon comes looking for her in his new car. She greets him with a shotgun, but they soon start to make love. Lena confronts Bill about Marie, and finds out about another of his lovers, Madeleine. They begin to fight and Bill leaves. Lena has strange dreams, in which she ties two teams of soccer players – she notes that they number 23 – to a tree, shoots Bill and cuts his penis off. She also dreams of being taunted by passing drivers as she cycles down a road, until finally Martin Luther King, Jr. drives up. She apologizes to him for not being strong enough to practice non-violence.
Lena returns home, destroys her room, and goes to the car showroom where Bill works to tell him she has scabies. They are treated at a clinic, and then go their separate ways. As the embedded story of Lena and Bill begins to resolve, the film crew and director Sjöman are featured more. The relationship between Lena the actress and Bill the actor has become intimate during the production of Vilgot's film, and Vilgot is jealous and clashes with Bill. The film concludes with Lena returning Vilgot's keys as he meets with another young female theater student.
In addition to the footage of King, the film also includes an interview with Minister of Transportation Olof Palme, who talks about the existence of class structure in Swedish society, and footage of Russian poet Yevgeny Yevtushenko.
Cast
- Vilgot Sjöman as Vilgot Sjöman
- Lena Nyman as Lena
- Börje Ahlstedt as Börje
- Peter Lindgren as Lena's father
- Chris Wahlström as Rune's woman
- Marie Göranzon as Marie
- Magnus Nilsson as Magnus
- Ulla Lyttkens as Ulla
- Anders Ek as Exercise leader
- Martin Luther King as Himself
- Olof Palme as Himself
- Yevgeny Yevtushenko as Himself
- Holger Löwenadler as The King (uncredited)
- Bertil Norström as Factory worker (uncredited)
- Dora Söderberg Old lady in elevator (uncredited)
- Öllegård Wellton as Yevtushenko's Interpreter (uncredited)
- Sven Wollter as Captain (uncredited)
Style
Censorship
The film includes numerous and frank scenes of nudity and staged sexual intercourse. In one particularly controversial scene, Lena kisses her lover's flaccid penis. In 1969, the film was banned in Massachusetts for being pornographic. After proceedings in the United States District Court for the District of Massachusetts (Karalexis v. Byrne, 306 F. Supp. 1363 (D. Mass. 1969)), the United States Court of Appeals for the Second Circuit, and the Supreme Court of the United States (Byrne v. Karalexis, 396 U.S. 976 (1969) and 401 U.S. 216 (1971)), the Second Circuit found the film not to be obscene.[3]Movie Info
One of the most popular and controversial films in Swedish history, I Am Curious brought the sexual revolution to Sweden's silver screen. While much of the media hype centered on the film's scandalous content, the film's blending of documentary and fictional footage was equally shocking for Swedish audiences. Content-wise, the film's more controversial parts include the defacement of a photograph of Franco and a sequence where a young couple has sex in front of the royal palace. A film in two parts, Yellow and Blue each have essentially the same vague outline of a plot. Lena and her boyfriend engage in lots of liberated sexual play -- that's the fiction. At the same time, they are working on a documentary, which is real. In the documentary footage, they investigate Sweden's political history, the state of its democracy, and the everyday lives of its citizens. In the Blue version, Lena journeys far into the deserted north, filming the beautiful wilderness and revealing a decidedly unmodern Sweden. Blue's most significant departure from the first part is in this exploration of Sweden's pastoral ideal. ~ Brian Whitener, Rovi
Jan 1, 1967 Wide
Oct 8, 1992
Oct 8, 1992
Cast
- Börje Ahlstedt
Boerje, Borje Lena's... - Peter Lindgren
Lena's Father - Lena Nyman
Lena, Lena Nyman - Marie Goranzon
Marie Borje's mistre... - Magnus "Mankan" Nils...
Magnus Lena's school...
Reception
Olof Palme (who played himself in an uncredited role in the movie) and Lena Nyman, taken at the Guldbagge Award ceremony. Nyman won the 1967 award for Best Actress in a leading role.
An arsonist torched the Heights Theater in Houston during the movie's run there.[5]
The film was very popular at the box office, earning an estimated $6.6 million in rentals in North America.[6] One of the main reasons that it was a box office smash was that it was the first movie with sexual relations performed onscreen that was not confined to the porn movie theaters on 42nd Street, New York City.[citation needed] Millions of people who had never seen a porn movie flocked to safe neighborhood theaters to see what it was all about. Another reason was that it became popular among "stars" to be seen going to this movie, and that made the general public even more interested. News of Johnny Carson seeing the film legitimized going to see it.[citation needed] This movie ushered in a wave of nudity and sex never before shown to the general public, and it was the first shot in the war that was to begin in pushing the limits of movies for the general public.[citation needed]
In popular culture
- Sweden
- 1967
- 97 minutes
- Black and White
- 1.33:1
- Swedish
- Spine #181
A parallel film to Vilgot Sjöman’s controversial I Am Curious—Yellow, I Am Curious—Blue also follows young Lena on her journey of self-discovery. In Blue, Lena confronts issues of religion, sexuality, and the prison system, while at the same time exploring her own personal relationships. Like Yellow, Blue freely traverses the lines between fact and fiction, employing a mix of dramatic and documentary techniques.
Cast
Lena | Lena Nyman |
Börje | Börje Ahlstedt |
Marie | Marie Göranzon |
Hans | Hans Hellberg |
Bim | Bim Warne |
Woman | Gunnel Broström |
Lena's mother | Gudrun Östbye |
Sonja | Sonja Lindgren |
Rune | Peter Lindgren |
Credits
Director | Vilgot Sjöman |
Producer | Göran Lindgren |
Executive producer | Lena Malmsjö |
Cinematography | Peter Wester |
Sound | Tage Sjöborg |
Editing | Wic Kjellin and Carl-Olov Skeppstedt |
Music | Bengt Ernryd |
Disc Features
- New high-definition digital transfer
- Director’s diary: Vilgot Sjöman’s commentary on selected scenes from the film
- Excerpts from Sjöman’s Self Portrait 92, a documentary made for Swedish television
- Deleted scene with an introduction by Sjöman
- Reprinted 1968 interview with Sjöman
- New and improved English subtitle translation
- Optimal image quality: RSDL dual-layer edition
- Title references
- The Get Smart episode "I Am Curiously Yellow", which was the series finale
- The That Girl episode "I Am Curious Lemon"
- Issue No. 101 of The Amazing Spider-Man wherein Gwen Stacy suggests seeing the movie with Peter Parker.
- The Fall's 1988 album I Am Kurious Oranj (which in turn inspired Lee and Herring's popular comedy character "The Curious Orange", portrayed by Paul Putner)
- The Superman's Girl Friend, Lois Lane issue "I Am Curious (Black)" wherein Lois Lane becomes a Black woman for a day to experience racism.
- The Melrose Place episode "I Am Curious Melrose"
- The Moonlighting episode "I Am Curious... Maddie"
- The Ed, Edd n Eddy episode "I Am Curious Ed"
- The Simpsons episode "I Am Furious (Yellow)"
- General references
- Curious Yellow, a virtual world in Jeff Noon's novel Vurt.
- A fluorescent chartreuse color named "curious yellow", which Chrysler Corporation offered as an optional-at-extra-cost "High Impact Paint (HIP)" color on its 1971 Plymouth cars.
- Curious Yellow is the name of a network worm in Glasshouse by Charles Stross, based on the name of the worm described in this paper by Brandon Wiley: Curious Yellow: The First Coordinated Worm Design.
- In her book You'll Never Eat Lunch in This Town Again, producer Julia Phillips mentions a film script entitled I Am Furious (Yellow), an unproduced comedy script about a woman who becomes enraged whenever she sees the color yellow. Phillips mentions that she was considering the project as a starring vehicle for Madonna.
- In an episode of The Lucy Show, Jack Benny (who was once a spokesman for Jell-O) tells Lucy that he's working on a film entitled I Am Curious, Jell-O.
- In an issue of Mad Magazine, a movie theater advertises a film called "I Am Lecherous (Purple)" and in a do-it-yourself New Wave film advertisement using an assortment of random words, one of your choices is "I am ____ (____)"
- In "Death in the Family", an episode of the BBC comedy series Steptoe and Son, Harold raises his father's spirits after the death of their horse by promising to take him to see "I Am Curious (Yellow)".
References
- Jump up ^ Vilgot Sjöman, I Was Curious: Diary of the Making of a Film (Grove Press, 1968).
- Jump up ^ Sjöman, published screenplay (Grove Press, 1968).
- Jump up ^ I Am Curious / Jag är nyfiken | Film International
- Jump up ^ The New York Times’ review of Blue
- Jump up ^ "Heights Theater History » Gallery M Squared". Retrieved 22 October 2011.
- Jump up ^ "Big Rental Films of 1969", Variety, 7 January 1970, p. 15.
I Am Curious (Blue)
I Am Curious (Blue)

Directed by Vilgot Sjöman
Produced by Göran Lindgren
Written by Vilgot Sjöman
Starring Vilgot Sjöman
Peter Lindgren
Lena Nyman
Börje Ahlstedt
Marie Göranzon
Music by Bengt Ernryd
Cinematography Peter Wester
Editing by Wic Kjellin
Distributed by Grove Press
Release dates Sweden:
11 March 1968
United States:
20 May 1970
Running time 107 min.
Country Sweden
Language Swedish
I Am Curious (Blue), whose original Swedish title, Jag är nyfiken – en film i blått, translates as I Am Curious – A Film in Blue, is a 1968 Swedish film directed by Vilgot Sjöman and starring Lena Nyman as a character named after herself. It is a companion film to 1967's I Am Curious (Yellow); the two were initially intended to be one 3½ hour film.[1] The films are named after the colours of the Swedish flag.
Blue is a second version of Yellow, taking place before and after the first movie. It has a more somber and bitterly satiric style, and a further explication of the framing narrative.
I Am Curious (Blue) | |
---|---|
Directed by | Vilgot Sjöman |
Produced by | Göran Lindgren |
Written by | Vilgot Sjöman |
Starring | Vilgot Sjöman Peter Lindgren Lena Nyman Börje Ahlstedt Marie Göranzon |
Music by | Bengt Ernryd |
Cinematography | Peter Wester |
Editing by | Wic Kjellin |
Distributed by | Grove Press |
Release dates | Sweden: 11 March 1968 United States: 20 May 1970 |
Running time | 107 min. |
Country | Sweden |
Language | Swedish |
Blue is a second version of Yellow, taking place before and after the first movie. It has a more somber and bitterly satiric style, and a further explication of the framing narrative.
References
I Am Curious (Blue) (1968) - IMDb
www.imdb.com/title/tt0063149/
Ahlstedt. The same movie with the same characters, cast and crew as I am ...
I Am Curious (Yellow) (1967) - IMDb
www.imdb.com/title/tt0061834/
Cook, the Thief, His Wife & Her Lover · The Silence · Nattvardsgästerna.
I Am Curious (Blue) - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/I_Am_Curious_(Blue)
I Am Curious (Blue), whose original Swedish title, Jag är nyfiken – en film i blått,
translates as I Am Curious – A Film in Blue, is a 1968 Swedish film directed by ...
Images for "I am curious Blue"
I Am Curious (Blue)- Deleted Scene - YouTube | |
www.youtube.com/watch?v=9EGMv8xIV6s13 Dec 2009 - 5 min - Uploaded by seanpierceSweden- 1968- Directed by Vilgot Sjöman- Starring Lena Nyman. |
I Am Curious—Blue (1967) - The Criterion Collection
www.criterion.com/films/729-i-am-curious-blue
A parallel film to Vilgot Sjöman's controversial _I Am Curious—Yellow, I Am
Curious—Blue_ also follows young Lena on her journey of self-discovery. In
_Blue,_ ...
I Am Curious Blue - The New York Times
www.nytimes.com/movie/review?res...
21 May 1970 ... Aside from the fact that "I Am Curious (Blue)," which opened yesterday at the Evergreen, Cine Malibu and neighborhood theaters is decidedly ...
I-Am-Curious-Blue- - Trailer - Cast - Showtimes - NYTimes.com
www.nytimes.com/movies/movie/70156/I-Am-Curious-Blue-/overview
An overview of I Am Curious Blue , including cast and credit details, a review summary, and more.
I Am Curious... (I Am Curious Yellow / I Am Curious Blue Set)
www.amazon.com/Curious-Yellow-Blue-Criterion.../B00007L4I8
Find I Am Curious... (I Am Curious Yellow / I Am Curious Blue Set) (The Criterion
Collection) at Amazon.com Movies & TV, home of thousands of titles on DVD ...
Jag är nyfiken - en film i gult (I Am Curious (Yellow)) - Rotten Tomatoes
www.rottentomatoes.com/m/i_am_curious_blue/
Foreign Titles. Ich bin neugierig Blau (DE); I Am Curious (Blue) (Jag ar nyfiken -
en film i blatt) (UK). Share. Help | About | Jobs | Critics Submission | Press | API ...
Watch I Am Curious - Blue online | Free | Hulu | |
www.hulu.com/watch/23335931 Jul 2011 - 108 minWatch I Am Curious - Blue free online. ... I Am Curious—Blue (1968). comment. Hulu Plus ... |
- Jump up ^ Vilgot Sjöman, I Was Curious: Diary of the Making of a Film (Grove Press, 1968).
- Jump up ^ Vilgot Sjöman, I Was Curious: Diary of the Making of a Film (Grove Press, 1968).
External links
- I Am Curious at the Internet Movie Database
- I Am Curious (Blue) at allmovie
- Criterion Collection essay by John Lahr
This 1960s drama film-related article is a stub. You can help Wikipedia by expanding it. |
This article related to Swedish film is a stub. You can help Wikipedia by expanding it. |
- Sweden
- 1967
- 121 minutes
- Black and White
- 1.33:1
- Swedish
- Spine #180
Seized by customs upon entry to the United States, subject of a heated court battle, and banned in numerous cities, Vilgot Sjöman’s I Am Curious—Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of Lena (Lena Nyman), a searching and rebellious young woman, and her personal quest to understand the social and political conditions in 1960s Sweden, as well as her bold exploration of her own sexual identity. I Am Curious—Yellow is a subversive mix of dramatic and documentary techniques, attacking capitalist injustices and frankly addressing the politics of sexuality.
Cast
Lena | Lena Nyman |
Börje | Börje Ahlstedt |
Rune | Peter Lindgren |
Chris | Chris Wahlström |
Marie | Marie Göranzon |
Magnus | Magnus Nilsson |
Ulla | Ulla Lyttkens |
Credits
Director | Vilgot Sjöman |
Producer | Göran Lindgren |
Executive producer | Lena Malmsjö |
Cinematography | Peter Wester |
Sound | Tage Sjöborg |
Editing | Wic Kjellin and Carl-Olov Skeppstedt |
Music | Bengt Ernryd |
Disc Features
- New high-definition digital transfer
- New video introduction by director Vilgot Sjöman
- Director’s diary: Vilgot Sjöman’s commentary on selected scenes from the film
- New video interview with legendary publisher Barney Rosset and attorney Edward de Grazia about the controversy surrounding the film
- The Battle for “I Am Curious—Yellow”, a video essay on the film’s censorship and trial
- Excerpts from the transcripts of the trial for I Am Curious—Yellow
- Theatrical trailer
- Essay by critic Gary Giddins
- New and improved English subtitle translation
- Optimal image quality: RSDL dual-layer edition
External links
I Am Curious (Yellow)
If your bag is shelling out several bucks to witness phallus (flaccid), then "I Am Curious (Yellow)" is the flick for you. But it you hope for anything else (that the movie might be erotic, for example, or even funny), forget it. It's a dog. A real dog.
What I'm curious about is how Barney Rossett and his pious pornographers at Grove Press got away with it. Sure, they edged it through the courts. But how have they convinced so many yahoos to spend (at last count) $4,500,000 to see it? You'd think the word would eventually get around.
Perhaps the legal defense should have given us warning. The usual parade of literary and movie critics stood up in court and testified (A) that the movie had redeeming social merit, and (B) that, speaking as a healthy adult -- honest, judge -- it didn't do a thing for me. That's easy to believe. "I Am Curious (Yellow)" is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds.
It is possible, of course, to manufacture an elaborate defense of the movie. I could do it myself with one hand tied behind my back. I could talk about the device of the film-within-a-film, and the director's autobiographical references, and all that. But the movie is simply, basically, boring. It is stupid and slow and uninteresting.
I wondered at times, during my long and restless ordeal while the picture ground out at roughly the rate of three feet every seven years, whether it was perhaps intended as a put-on. But I doubt it. I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking. There is a dogged earnestness about the "significant" scenes in the movie that suggests somebody moved his lips when he wrote the script and had to use a finger to mark his place.
Beyond that, there's also a pudgy girl with an unpleasant laugh (she thinks she's so cute). And a boy who looks like Archie rolled into Jughead. They do not exactly talk about current political and social problems, but they recite words associated with them. You can hear words like class structure, labor union, Vietnam, racism, Franco, non-violence and, of course, the Bomb. But these words are never quite assembled into sentences.
There are also, of course, the celebrated sex scenes. They may not be sexy, but they are undeniably scenes. The boy and the girl perform in these scenes with the absorption and determination of a Cub Scout weaving a belt. The one interesting aspect is that the hero succeeds in doing something no other man has ever been able to do. He makes love detumescently. I say the hell with the movie; let's have his secret
What I'm curious about is how Barney Rossett and his pious pornographers at Grove Press got away with it. Sure, they edged it through the courts. But how have they convinced so many yahoos to spend (at last count) $4,500,000 to see it? You'd think the word would eventually get around.
Perhaps the legal defense should have given us warning. The usual parade of literary and movie critics stood up in court and testified (A) that the movie had redeeming social merit, and (B) that, speaking as a healthy adult -- honest, judge -- it didn't do a thing for me. That's easy to believe. "I Am Curious (Yellow)" is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds.
It is possible, of course, to manufacture an elaborate defense of the movie. I could do it myself with one hand tied behind my back. I could talk about the device of the film-within-a-film, and the director's autobiographical references, and all that. But the movie is simply, basically, boring. It is stupid and slow and uninteresting.
I wondered at times, during my long and restless ordeal while the picture ground out at roughly the rate of three feet every seven years, whether it was perhaps intended as a put-on. But I doubt it. I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking. There is a dogged earnestness about the "significant" scenes in the movie that suggests somebody moved his lips when he wrote the script and had to use a finger to mark his place.
Beyond that, there's also a pudgy girl with an unpleasant laugh (she thinks she's so cute). And a boy who looks like Archie rolled into Jughead. They do not exactly talk about current political and social problems, but they recite words associated with them. You can hear words like class structure, labor union, Vietnam, racism, Franco, non-violence and, of course, the Bomb. But these words are never quite assembled into sentences.
There are also, of course, the celebrated sex scenes. They may not be sexy, but they are undeniably scenes. The boy and the girl perform in these scenes with the absorption and determination of a Cub Scout weaving a belt. The one interesting aspect is that the hero succeeds in doing something no other man has ever been able to do. He makes love detumescently. I say the hell with the movie; let's have his secret
Very good points you wrote here..Great stuff...I think you've made some truly interesting points.Keep up the good work.
ReplyDeletehttps://www.urdupoint.com/dictionary/english-to-urdu/curious-meaning-in-urdu/22354.html