Caroline Ducey (born Caroline Trousselard in 1977, Paris) is a French actress, who appeared in 34 films since 1994.
Outside of her home country, she is best known for her controversial role in Catherine Breillat's 1999 film Romance, a role for which she was awarded the 2000 Étoile d’or de la révélation féminine (Gold Star) by l’Académie de la presse du cinéma français. Ducey was nominated for the Prix Michel Simon film prize for Best Actress in Familles je vous hais (1997).
Filmography
- Trop de bonheur (1994) aka Too Much Happiness
- Noël! Noël! (1995)
- Familles je vous hais (1997)
- Romance (1999)
- Innocent (1999)
- Le Trèfle à quatre feuilles (2000)
- Porte-bonheur (2000)
- La Chambre obscure (2000)
- Entre deux rails (2001)
- Carrément à l'Ouest (2001)
- La Cage (2002) aka The Cage
- Prendimi l'anima (2002) aka The Soul Keeper
- Shimkent hôtel (2003)
- Ballo a tre passi (2003) aka Three-Step Dance
- Amateur (2004)
- Croisière (2004)
- Handicap (2004)
- Doo Wop (2004)
- Les Étrangers (2004)
- Naissance de l'orgueil (2005)
- J'ai besoin d'air (2005)
- Convivium (2005)
- J'ai rêvé sous l'eau (2005) aka I Dreamt Under Water
- La Californie (2006)
- Une vieille maîtresse (2007) aka The Last Mistress
- J'ai rêvé sous l'eau (2008) aka I Dreamt Under the Water
- Le Plaisir de chanter (2008)
- Just Ines (2010)
Television
- "Tous les garçons et les filles de leur âge..." episode - Bonheur (1994)
- L'Inventaire (1998)
- L'Amour prisonnier (2000)
- Petit Ben (2000)
- Reporters (2007)
- "Les Bleus: premiers pas dans la police" episode - Faux semblants (2007)
External links
About
Caroline Ducey (born Caroline Trousselard in 1977, Paris) is a French actress, who appeared in 34 films since 1994.
Biography
Unconventional beauty Caroline Ducey was little known beyond her native France before her starring role in Catherine Breillat's ultra-explicit exploration of eroticism and femininity Romance (1999).
Born Caroline Trousselard and raised in southern France, Ducey became an actress at age 11 with a series of local theater roles, then studied drama at the Marseilles Conservatory. While still in her t...eens, Ducey made her film debut in the award-winning Trop de Bonheur (1994). Though she moved to Paris to study literature at the university, Ducey continued to act, earning roles on French TV and in the films Famille Je Vous Hais (1997) and Innocent (1998). But when Breillat cast her in Romance over 200 other hopefuls, she revealed herself to be an actress of remarkable bravery as well as skill. As the masochistic Marie, Ducey overcame her initial fears about the script, and her discomfort about acting with Italian porn star Rocco Siffredi, to give a performance praised for its honesty and daring, even by those critics less than taken with Breillat's stripped-down visual stylization and overwrought view of female sexuality. Touted as the most explicit non-porn film ever, Romance drew attention at several international film festivals, garnered a U.S. release, and became a box-office success in France, cementing Ducey's status as an actress on the rise. Ducey's next film, the period drama La Chambre Obscure (1999), once again dealt with the fallout of sexual rejection.
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Born Caroline Trousselard and raised in southern France, Ducey became an actress at age 11 with a series of local theater roles, then studied drama at the Marseilles Conservatory. While still in her t...eens, Ducey made her film debut in the award-winning Trop de Bonheur (1994). Though she moved to Paris to study literature at the university, Ducey continued to act, earning roles on French TV and in the films Famille Je Vous Hais (1997) and Innocent (1998). But when Breillat cast her in Romance over 200 other hopefuls, she revealed herself to be an actress of remarkable bravery as well as skill. As the masochistic Marie, Ducey overcame her initial fears about the script, and her discomfort about acting with Italian porn star Rocco Siffredi, to give a performance praised for its honesty and daring, even by those critics less than taken with Breillat's stripped-down visual stylization and overwrought view of female sexuality. Touted as the most explicit non-porn film ever, Romance drew attention at several international film festivals, garnered a U.S. release, and became a box-office success in France, cementing Ducey's status as an actress on the rise. Ducey's next film, the period drama La Chambre Obscure (1999), once again dealt with the fallout of sexual rejection.
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Description
Filmography
Trop de bonheur (1994) aka Too Much Happiness
Noël! Noël! (1995)
Familles je vous hais (1997)
... Romance (1999)
Innocent (1999)
Le Trèfle à quatre feuilles (2000)
Porte-bonheur (2000)
La Chambre obscure (2000)
Entre deux rails (2001)
Carrément à l'Ouest (2001)
La Cage (2002) aka The Cage
Prendimi l'anima (2002) aka The Soul Keeper
Shimkent hôtel (2003)
Ballo a tre passi (2003) aka Three-Step Dance
Amateur (2004)
Croisière (2004)
Handicap (2004)
Doo Wop (2004)
Les Étrangers (2004)
Naissance de l'orgueil (2005)
J'ai besoin d'air (2005)
Convivium (2005)
J'ai rêvé sous l'eau (2005) aka I Dreamt Under Water
La Californie (2006)
Une vieille maîtresse (2007) aka The Last Mistress
J'ai rêvé sous l'eau (2008) aka I Dreamt Under the Water
Le Plaisir de chanter (2008)
Just Ines (2010)
Television
"Tous les garçons et les filles de leur âge..." episode - Bonheur (1994)
L'Inventaire (1998)
L'Amour prisonnier (2000)
Petit Ben (2000)
Reporters (2007)
"Les Bleus: premiers pas dans la police" episode - Faux semblants (2007)
Trop de bonheur (1994) aka Too Much Happiness
Noël! Noël! (1995)
Familles je vous hais (1997)
... Romance (1999)
Innocent (1999)
Le Trèfle à quatre feuilles (2000)
Porte-bonheur (2000)
La Chambre obscure (2000)
Entre deux rails (2001)
Carrément à l'Ouest (2001)
La Cage (2002) aka The Cage
Prendimi l'anima (2002) aka The Soul Keeper
Shimkent hôtel (2003)
Ballo a tre passi (2003) aka Three-Step Dance
Amateur (2004)
Croisière (2004)
Handicap (2004)
Doo Wop (2004)
Les Étrangers (2004)
Naissance de l'orgueil (2005)
J'ai besoin d'air (2005)
Convivium (2005)
J'ai rêvé sous l'eau (2005) aka I Dreamt Under Water
La Californie (2006)
Une vieille maîtresse (2007) aka The Last Mistress
J'ai rêvé sous l'eau (2008) aka I Dreamt Under the Water
Le Plaisir de chanter (2008)
Just Ines (2010)
Television
"Tous les garçons et les filles de leur âge..." episode - Bonheur (1994)
L'Inventaire (1998)
L'Amour prisonnier (2000)
Petit Ben (2000)
Reporters (2007)
"Les Bleus: premiers pas dans la police" episode - Faux semblants (2007)
Romance (1999 film)
Romance | |
---|---|
Romance DVD cover | |
Directed by | Catherine Breillat |
Produced by | Jean-François Lepetit |
Written by | Catherine Breillat |
Starring | Caroline Ducey Rocco Siffredi François Berléand |
Music by | Raphaël Tidas DJ Valentin |
Cinematography | Yorgos Arvanitis |
Distributed by | Trimark Pictures Inc. |
Release date(s) | September 17, 1999 |
Running time | 99 mins. (93 mins.)(84 mins.) |
Country | France |
Language | French |
Plot synopsis
When Marie's boyfriend Paul refuses to have sex with her, she is forced to search for intimacy beyond the bounds of traditional sexual limitations, a journey that proves to be both fulfilling and empowering.Broadcasting and ratings
In Europe, Romance was shown in mainstream cinemas; in the U.S., it was reduced to a mainstream-acceptable R-rating, and the European original version is un-rated. In March 2004, the original version was broadcast, late-night on German public television. In Australia, the original version of Romance was broadcast uncut on the cable television network World Movies.[citation needed] The film was initially refused classification in Australia, before it was awarded an R18+ on appeal.[2] It single-handedly paved the way for actual sex to be accommodated in the R18+ classification in Australia.[2] In Canada, particularly in Alberta and the Maritimes, the sexuality was seen as gratuitous to the film and it was given an A rating and XXX rating in those regions.[3][4] In June 2008, in the Netherlands, the original version of Romance was broadcast on Dutch public TV, by VPRO, as one of a series of Erotica art house cinema.[citation needed]See also
References
- ^ Anne Gillain, "Profile of a Filmmaker: Catherine Breillat" Beyond French Feminisms: debates on women, Politics and Culture in France, 1981 – 2001, edited by Roger Célestin et al. New York: Macmillan (2003): 202. Catherine Breillat's "film Romance had received much praise—and criticism—the previous year for using a porn-film actor and a scene showing a nonsimulated sexual act, including a shot of an erection in the foreground."
- ^ a b "Romance (1999)". Refused-Classification.com. http://refused-classification.com/censorship/films/romance-1999.html. Retrieved December 9, 2011.
- ^ Film classification listing for Romance at Alberta Film Ratings
- ^ Film classification listing for Romance at Maritime Film Classification Board (Rating is listed at bottom)
External links
- Romance at AllRovi
- Romance at Box Office Mojo
- Romance at the Internet Movie Database
- Romance at Metacritic
- Romance at Rotten Tomatoes
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Unsimulated sex
From Wikipedia, the free encyclopedia
(Redirected from Unsimulated sex in film)
Unsimulated sex refers to the presentation in a film of sex scenes where the actors engage in an actual sex act, and are not just miming the general motions. At one time such scenes were restricted by law and self-imposed industry standards such as the Motion Picture Production Code.[1] Films showing explicit sexual activity were confined to privately distributed underground films, such as stag films[2] or "porn loops". Beginning in the late 1960s, mainstream cinemas began pushing boundaries in terms of what was allowed on screen.[2] Although the vast majority of sexual situations depicted in mainstream cinema are simulated (in early pornography, the main actors engaged in simulated sex, with inserts placed in the film), on rare occasions actors engage in real sex.[3] The difference between these films and pornography is that, while such scenes might be considered erotic, the intent of these films is not solely pornographic.[4]
Notable examples include two of the eight Bedside-films and the six Zodiac-films from the 1970s, all of which were produced in Denmark and had many pornographic sex scenes, but were nevertheless considered mainstream films (they all had mainstream casts and crews, and premiered in mainstream cinemas).[5] The last of these films, Agent 69 Jensen i Skyttens tegn, was made in 1978. From the end of the 1970s until the late 1990s it was rare to see hardcore scenes in mainstream cinema, but this changed with the success of Lars von Trier's Idioterne (1998), which heralded a wave of art-house films with explicit content,[6][7][8] such as Romance (1999), Baise-Moi (2000), Intimacy (2001), Vincent Gallo's The Brown Bunny (2003), and Michael Winterbottom's 9 Songs (2004).
Films with non-simulated sexual activity
The following mainstream films have scenes with verified real sexual activity, meaning actors or actresses are filmed engaging in actual coitus or performing related sexual acts such as fellatio and cunnilingus. Some simulated sex scenes are so realistic that critics mistakenly believe that they are real, such as the cunnilingus scene in the 2006 film Red Road.[9]
Title | Year | Notes | Language |
---|---|---|---|
They Call Us Misfits (Dom kallar oss mods)[10] | 1967 | Swedish documentary film, the first of a trilogy. | Swedish |
Sweet Sweetback's Baadasssss Song | 1971 | Director/actor Melvin Van Peebles appears in several real sex scenes. His son, Mario, performed in a simulated sex scene. Van Peebles contracted a sexually transmitted disease while filming and successfully filed for worker's compensation. While the sex scenes may have been explicit and the actor maintains that they were real, nothing is shown onscreen that could not have been faked. Nonetheless, after Peebles came up with the winning ad slogan "rated X by an all-white jury" the film's rating was reduced to R in 1974.[11] | English |
W.R.: Mysteries of the Organism | 1971 | Director Dušan Makavejev explores the relationship between communist politics and sexuality, as well as exploring the life and work of Wilhelm Reich. Contains scenes of both various simulated sex acts and non-simulated manual stimulation of a penis.[12] | Serbo-Croatian and English |
Pink Flamingos | 1972 | Divine performs oral sex with a male actor.[13] | English |
I Jomfruens tegn | 1973 | First film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
I Tyrens tegn | 1974 | Second film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
I Tvillingernes tegn | 1975 | Third film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
Der må være en sengekant | 1975 | Sixth film in the Danish Bedside-series of erotic mainstream-comedies, and one of the two to have hardcore scenes.[14] | Danish |
Sømænd på sengekanten | 1976 | Eighth and final film in the Danish Bedside-series of erotic mainstream-comedies, and one of the two to have hardcore scenes, including extensive clips from the short Color Climax #1283: Mail Order Sex (1973), watched on 8mm by the ship's crew.[14] | Danish |
Une vraie jeune fille (English title: A Real Young Girl or A Real Young Lady) | 1976 | female masturbation, close-up of male and female genitalia (including a man masturbating to ejaculation) and urination scenes[15] | French |
I Løvens tegn | 1976 | Fourth film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
愛のコリーダ (In the Realm of the Senses) | 1976 | Based on a true story of a Japanese prostitute, features fellatio and other non-simulated sexual acts.[16][17] | Japanese |
Agent 69 Jensen i Skorpionens tegn | 1977 | Fifth film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
Agent 69 Jensen i Skyttens tegn | 1978 | Sixth and final film in the Danish Zodiac-series of mainstream-comedies with hardcore scenes.[14] | Danish |
Caligula | 1979 | Uncut version of this film includes several authentic sex scenes, including penetration, fellatio and ejaculation during the six minutes worth of inserts shot by the film's producer, Bob Guccione. The sex shot by Tinto Brass in the rest of the movie, although very explicit, was simulated.[18] | English |
Cruising | 1980 | Director William Friedkin spliced in single frames of gay anal intercourse during at least one scene, the first murder. The frames are barely detectable at normal speed but are visible when freeze-framed. Partially obscured sex acts, including fellatio and fisting, are observable being performed by extras in scenes set in gay leather bars. The film originally contained an additional 40 minutes of footage that Friedkin describes as "[a]bsolutely graphic sexuality....that material showed the most graphic homosexuality with Pacino watching, and with the intimation that he may have been participating."[19] Friedkin sought to restore the missing footage for the DVD release but it has been lost. He believes it has been destroyed.[20][21] | English |
Devil in the Flesh | 1986 | Features a short scene of fellatio, during which the man tells the woman about Lenin's return to St. Petersburg in 1917.[22][23] | Italian |
La Vie de Jésus (The Life of Jesus) | 1997 | "In Life of Jesus, Dumont included extreme close-ups of penetration to emphasize the animal nature of the sex act"[24] | French |
The Idiots | 1998 | The film by Lars von Trier features penetration and group sex.[25] | Danish |
Romance | 1999 | Directed by Catherine Breillat, features male and female masturbation, fellatio, penetration, ejaculation, and sadomasochistic bondage.[26] | French |
Pola X | 1999 | "Pola X ... acquired international notoriety for unsimulated sex scenes between the characters played by Guillaume Depardieu and Yekaterina Golubeva, though body doubles were reportedly used for the more graphic shots."[27] | French |
Baise-moi | 2000 | Several actual sex scenes, including penetration and fellatio, involving Karen Lancaume and Raffaëla Anderson.[28] | French |
Intimacy | 2001 | Fellatio scene between actress Kerry Fox and Mark Rylance.[28] It is often falsely stated that actual coitus is performed between the two leads, but this rumor was dispelled by Fox's then-boyfriend, Alexander Linklater, who wrote an article for The Guardian about the making of the film.[29] | English |
Ken Park | 2002 | The film was banned in Australia, as the Office of Film and Literature Classification said it contained scenes of "child sexual abuse, actual sex by people depicted as minors and sexualised violence". Cunnilingus, auto-erotic asphyxiation, urination, and group sex acts involving characters that are supposed to be teens are shown explicitly, but the sex is simulated with the exception of one scene showing a young man masturbating. All actors were actually over 18.[30] | English |
The Brown Bunny | 2003 | This film by Vincent Gallo features a scene where Chloë Sevigny performs actual fellatio on Gallo.[31] | English |
Anatomie de l'enfer (Anatomy of Hell) | 2004 | By director Catherine Breillat, it features "actual sex, high-level sex scenes and high-level themes" according to the Australian Classification Review Board.[32] | French |
9 Songs | 2004 | Several non-simulated sex scenes between actress Margo Stilley and actor Kieran O'Brien, including protected penetration, fellatio, cunnilingus and an on-screen ejaculation by the lead actor.[28] | English |
The Raspberry Reich | 2004 | The picture is full of non-simulated heterosexual and homosexual (mostly homosexual) sex from beginning to end. There is onscreen heterosexual intercourse as well as gay oral and anal sex. The opening sequence in particular features an extended montage of sexual activity.[33] | English |
All About Anna | 2005 | The film-makers, Innocent Pictures, said that "Without the sex scenes, the film’s drama would fall apart. This was a particular challenge to the film’s cast, who had to cope with the traditional social and human traumas associated with having real sex in front of a camera. Fortunately the film’s actors and actresses managed to extend their dramatic performances way beyond the norm and truly managed to push the envelope, achieving new means of dramatic expression. The sex scenes were carefully planned and rehearsed prior to shooting, allowing the actors to stay in character through every embrace and caress."[34][dead link] | English |
Inside Deep Throat | 2005 | This documentary includes the deep throat scene from the original Linda Lovelace motion picture Deep Throat. Approximately 30 seconds of the actual fellatio.[35] | English |
Shortbus | 2006 | Several actors in this American film, including Canadian TV personality, singer, and CBC national radio host Sook-Yin Lee,[36] perform real coitus and other sexual acts. Non-simulated sex acts include explicit masturbation by several characters, coitus, and heterosexual and homosexual fellatio.[28] | English |
Destricted | 2006 | Seven short films by artists and film-makers commissioned to "explore the fine line where art and pornography intersect", it "contains strong, real sex".[37][38] | English |
Antichrist | 2009 | This film by Lars von Trier features a scene of penetrative vaginal intercourse, and also includes graphically violent sexual imagery. Body doubles were used to make the film.[39] | English |
Pornographic films reedited as mainstream releases
Prior to the advent of home video, a number of hardcore pornography films were released to mainstream cinemas. In most cases, scenes of penetration were either cut out or replaced with alternate shots. One exception to this was Deep Throat, which was released uncensored.
Examples of this type of hybrid release include Alice in Wonderland (1976) shot as X-rated but first released as an R-rated version. Afterwards, the uncut version was released.[40] Café Flesh (1982) R-rated version of this science fiction porn film was released to mainstream cinemas.[41] Stocks and Blondes (1984) originally available as Wanda Whips Wall Street.,[42] and Droid (1988), originally released as Cabaret Sin in 1987.
References
- ^ Dirks, Tim. "History of Sex in Cinema: The Greatest and Most Influential Sexual Films and Scenes". Filmsite.org. American Movie Classic Company. http://www.filmsite.org/sexinfilms.html. Retrieved 4 December 2009.
- ^ a b Corliss, Richard (29 March 2005). "That Old Feeling: When Porno Was Chic". TIME. http://www.time.com/time/columnist/corliss/article/0,9565,1043267-1,00.html. Retrieved 4 December 2009.
- ^ Hohendal, Kristin (1 July 2001). "Film Goes All the Way (In the Name of Art)". New York Times. http://www.nytimes.com/2001/07/01/movies/film-film-goes-all-the-way-in-the-name-of-art.html?pagewanted=1. Retrieved 29 November 2009.
- ^ Gerrard, Nicci (3 October 1999). "Coming soon to a cinema near you". The Observer (London). http://www.guardian.co.uk/film/1999/oct/03/1. Retrieved 4 December 2009. ""Catherine Breillat's controversial French film, Romance, has just been given an 18 certificate by the British Board of Film Classification. It will be granted the respectability of mainstream cinemas round the country. It has been passed because it is 'philosophical', not pornographic. It is about sexual relationships, not an aid to sexual gratification.""
- ^ Jensen, Michael (November 2006). "LEGITIMIZING ILLEGITIMACY: IDENTITY SPACES AND MARKETS FOR ILLEGITIMATE PRODUCTS". Organizations & Markets Workshop (Chicago Booth). http://www.chicagobooth.edu/research/workshops/orgs-markets/docs/jensen-legitimacy.pdf.
- ^ "Explicit Euro-sex test for British censors". The Guardian (London). 22 February 1999. http://www.guardian.co.uk/film/1999/feb/22/news. Retrieved 4 December 2009.
- ^ Wilmington, Michael (27 August 2001). "Graphic Sex Scenes on Film Causing Little Fuss--for Now". Los Angeles Times. http://articles.latimes.com/2001/aug/27/entertainment/ca-38822. Retrieved 4 December 2009.
- ^ Fuller, Graham (October 2001). "Shots in the Dark - sex in current French films". Interview. http://findarticles.com/p/articles/mi_m1285/is_10_31/ai_78738634/. Retrieved 4 December 2009.[dead link]
- ^ Dalton, Stephen (7 October 2006). "Sealed with a Glasgow kiss". The Times (London). http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article651832.ece. Retrieved 10 January 2010.
- ^ Robertson, Patrick (1991). The Guinness Book of Movie Facts & Feats (4th ed.). Guinness. p. 62. ISBN 0-85112-908-0.
- ^ Van Peebles, Melvin. The Real Deal: What It
Was...Is!. Sweet Sweetback's Baadasssss Song DVD, Xenon Entertainment Group, 2003. ISBN 1-57829-750-8 - ^ Glenn Erickson (June 12, 2007). "WR: Mysteries of the Organism". DVD Savant. http://www.dvdtalk.com/dvdsavant/s2307wr.html.
- ^ "Pink Flamingos". http://www.movierapture.com/pinkflamingos.htm.
- ^ a b c d e f g h Ebbe Villadsen: Danish Erotic Film Classics (2005)
- ^ Une vraie jeune fille (1976) - Plot keywords
- ^ Maass, Dave (28 February 2008). "Real Sex in Unreal Films: Penetrating movies that aren't pornos". Film.com. http://www.film.com/features/story/real-sex-in-unreal-films/18949830. Retrieved 28 November 2009.
- ^ Kehr, Dave (24 April 2009). "Nagisa Oshima’s Realm of Restraint and Precision". New York Times. http://www.nytimes.com/2009/04/26/movies/homevideo/26kehr.html. Retrieved 28 November 2009.
- ^ Caligula: A Film Review by David Carter
- ^ Williams, p. 135
- ^ Simon, Alex (September 2007). "Crusing with Billy". Venice magazine: pp. 68–71. http://www.venicemag.com/pdf/0709/wFriedkin.pdf. Retrieved 2009-02-10.[dead link]
- ^ Cruising with Billy - Copy of article
- ^ Canby, Vincent (29 May 1987). "Devil in the Flesh (1986)". New York Times. http://movies.nytimes.com/movie/review?res=9B0DE3DA143FF93AA15756C0A961948260. Retrieved 28 November 2009.
- ^ Hume, Christopher (13 August 1986). "Sex act offends censor festival film ordered cut". Toronto Star. http://pqasb.pqarchiver.com/thestar/access/475352111.html?dids=475352111:475352111&FMT=ABS&FMTS=ABS:FT&type=current&date=Aug+13%2C+1986&author=Christopher+Hume+Toronto+Star&pub=Toronto+Star&desc=Sex+act+offends+censor+festival+film+ordered+cut&pqatl=google. Retrieved 29 November 2009.
- ^ Erickson, Steve (29 November 2000). "Mysteries of Love". Minneapolis City Pages. http://www.citypages.com/2000-11-29/movies/mysteries-of-love/. Retrieved 4 December 2009.
- ^ Lister, David (17 May 1998). "Actors had real sex for Cannes movie". The Independent (London). http://www.independent.co.uk/news/actors-had-real-sex-for-cannes-movie-1159521.html. Retrieved 28 November 2009.
- ^ Adair, Gilbert (28 September 1999). "Welcome to planet porn". Independent (London). http://www.independent.co.uk/news/media/welcome-to-planet-porn-738876.html. Retrieved 29 November 2009.
- ^ "Guillaume Depardieu: French actor". The Times (London). 15 October 2008. http://www.timesonline.co.uk/tol/comment/obituaries/article4943968.ece. Retrieved 4 December 2009.
- ^ a b c d Tim Adams (2006-11-26). "Everybody's doing it...". The Guardian (London: Guardian News and Media Limited). http://film.guardian.co.uk/features/featurepages/0,,1957071,00.html.
- ^ Alexander Linklater (2001-06-22). "Dangerous liaisons". guardian.co.uk. http://www.guardian.co.uk/film/2001/jun/22/features.features11. Retrieved 2010-09-26.
- ^ Maddox, Gary (16 June 2003). "Filmmaker defends the 'real' Ken Park". Sydney Morning Herald. http://www.smh.com.au/cgi-bin/common/popupPrintArticle.pl?path=/articles/2003/06/15/1055615675958.html. Retrieved 13 January 2010.[dead link]
- ^ Gilbey, Ryan (16 February 2008). "Chloë's world". The Guardian (London). http://www.guardian.co.uk/lifeandstyle/2008/feb/16/fashion. Retrieved 27 May 2010.
- ^ Maddox, Garry (8 July 2004). "Censors refuse to ban film depicting real sex". Sydney Morning Herald. http://www.smh.com.au/articles/2004/07/07/1089000230140.html. Retrieved 28 November 2009.
- ^ A Quick Chat With Bruce LaBruce - interview about the film
- ^ ""All About Anna": About The Film". Innocent Pictures. http://www.innocentpictures.com/content/index.php?id=57&la=en. Retrieved 28 December 2009.
- ^ http://www.reelviews.net/movies/i/inside_deep.html A Film Review by James Berardinelli
- ^ Brian D. Johnson (2006-06-02). "Sook-Yin Lee shocker in Cannes | Macleans.ca - Culture - Lifestyle". Macleans.ca. http://www.macleans.ca/culture/lifestyle/article.jsp?content=20060605_128191_128191. Retrieved 2012-03-13.
- ^ Reynolds, Nigel (6 July 2006). "Hard-core sex film to be premiered as art at Tate Modern". Daily Telegraph (London). http://www.telegraph.co.uk/news/uknews/1523189/Hard-core-sex-film-to-be-premiered-as-art-at-Tate-Modern.html. Retrieved 4 December 2009.
- ^ "Destricted Art and Sex". Tate Modern. 9 September 2006. http://www.tate.org.uk/modern/eventseducation/talksdiscussions/6056.htm. Retrieved 4 December 2009.
- ^ "RT Interview: Lars von Trier on Antichrist". 22 July 2009. http://www.rottentomatoes.com/m/1210830-antichrist/news/1833302/rt_interview_lars_von_trier_on_antichrist/. Retrieved 21 July 2010.
- ^ Alice in Wonderland (1976/I)
- ^ Peary, Danny (1988). Cult Movies 3. New York: Simon & Schuster Inc.. pp. Pages 52–56. ISBN 0-671-64810-1.
- ^ What Blockbuster Didn't Bust Blockbuster's inconsistent ratings policy -- The video rental store cracks down on X and NC-17 rated films, but ignores racier unrated fare like Wild Orchid Ty Burr, Entertainment Weekly, 29 March 1991.
References and further reading
- Villadsen, Ebbe (2005): Danish Erotic Film Classics.
- Williams, Linda Ruth (2005): The Erotic Thriller in Contemporary Cinema. Indiana University Press. ISBN 0-253-34713-0.
Sadism and masochism in fiction
Contents[hide] |
Novels
Titles are sorted in chronological order.Before 1800
- Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris (1660) by Nicolas Chorier, translated into English as A Dialogue between a Married Woman and a Maid in various editions.[6] depicts an older woman giving sexual instruction to a younger, recommending the spiritual and erotic benefits of a flogging.[7]
- Fanny Hill (1749) by John Cleland – depicts mutual flagellation, between Fanny and an English client.[8] The understanding of flagellation is in transition from an aphrodisiac practice intended to improve sexual performance to a sexual activity in its own right.[9]
- Fashionable Lectures: composed and delivered with Birch Discipline (ca 1750)[10] on the theme of flagellation by dominant women in positions of authority.[11]
- The 120 Days of Sodom, Justine (1791) and Juliette (1797) by Marquis de Sade - Have an extreme, sadistic perspective.[12]
- Anti-Justine (1798) by Nicolas-Edme Rétif – A response to the works of de Sade, written in a like style, describing the opposite political point of view.[13][14]
1800 to 1899
- The Lustful Turk, or Lascivious Scenes from a Harem (1828) by Anonymous. First published in England by John Benjamin Brookes, the book was not widely known until it was reprinted by William Dugdale in 1893. This tale of sex and sadism consists largely of a series of letters written by its heroine, Emily Barlow, after being abducted by Moorish pirates and held prisoner in an Algerian harem. The David F. Friedman sexploitation film The Lustful Turk (1968) is based on the novel.
- Exhibition of Female Flagellants (1830) attributed, probably falsely, to Theresa Berkley, published by George Cannon.[15] The principal activity described is flagellation, mainly of women by women,[16][17] described in a theatrical, fetishistic style. It was republished around 1872 by John Camden Hotten.[18][19]
- The New Ladies' Tickler, or Adventures of Lady Lovesport and the Audacious Harry (1866) by Edward Sellon - dealing with flagellation[20] and lesbian incest[21]
- The Romance of Chastisement (1866) by St George Stock, a probable pseudonym, also credited with The Whippingham Papers (John Camden Hotten: London).[22] A pornographic collection on the theme of flagellation. Reprinted by Charles Carrington in 1902 as The Magnetism of the Rod or the Revelations of Miss Darcy.
- Revelries! and Devilries!! (1867), anonymous, published by William Dugdale. Said to be the collaboration of four Oxford scholars and an army officer.[23] The book is a linked collection of stories in which sadism is a theme.[24]
- Personal Recollections of the Use of the Rod (1868) by "Margaret Anson", pseudonym of British author James Glass Bertram (John Camden Hotten: York, date given as 1857).[25][26] As is common in this genre, the author/narrator is given as female, and the perpetrators and victims are mainly women.[27] Reprinted by Blue Moon Books in 2000; also published as The Merry Order of St. Bridget. Translated in French as Une société de flagellantes. Réminiscences et révélations d'une soubrette de grande maison (1901) by Jean de Villiot, illustrated by Martin van Maële.
- Flagellation & the Flagellants: A History of the Rod (1868) by "Rev. William Cooper", again James Glass Bertram,[26] a best-seller for Hotten.[28][29]
- Venus in Furs (1870) by Leopold von Sacher-Masoch – Autobiographical novel wherein the protagonist encourages his mistress to enslave and mistreat him. Many of Sacher-Masoch's other works contain themes of sadomasochism and female dominance of the male. The term 'Masochism' derives from von Sacher-Masoch's name.
- The Romance of Lust (1873–6) published by William Lazenby[30] includes flagellation[31] by a governess[32] among a variety of sexual activities, such as incest,[33] orgies, masturbation, lesbianism, fellatio, cunnilingus, gay sex, anal sex, and double penetration.
- The Convent School, or Early Experiences of A Young Flagellant (1876) by "Rosa Coote", pseudonym of the author and publisher, William Dugdale,[34] in which a woman is whipped and tortured by two men.[35]
- Experimental Lecture (1878/9) by "Colonel Spanker", published by Charles Carrington,[36] on sadistic flagellation.[37][38][39][40][41] The Colonel and his circle have a house in Park Lane where young ladies are kidnapped, humiliated, whipped and raped.[42]
- Miss Coote's Confession (1879–1880), an epistolary serial novella also supposedly by Rosa Coote in The Pearl, a pornographic magazine published by William Lazenby, deals with flagellation at home and at school.[43][44][45]
- In The Brothers Karamazov (1880), Fyodor Pavlovitch says,
At Mokroe I was talking to an old man, and he told me: 'There's nothing we like so much as sentencing girls to be thrashed, and we always give the lads the job of thrashing them. And the girl he has thrashed to-day, the young man will ask in marriage to-morrow. So it quite suits the girls, too,' he said. There's a set of de Sades for you! But it's clever, anyway.[46]
- The Mysteries of Verbena House, or, Miss Bellasis Birched for Thieving (1882) by "Etonensis" [pseud.], actually by George Augustus Sala and James Campbell Reddie (co-author of The Sins of the Cities of the Plain).
- The Whippingham Papers (1888) with poetry ascribed to Algernon Charles Swinburne, edited by St. George H. Stock, a probable pseudonym, also credited with The Romance of Chastisement (1866). A collection of Victorian stories and verse about erotic flagellation.[47]
- The Yellow Room (1891) by anonymous (generally attributed to "M. Le Comte Du Bouleau", aka Stanislas Matthew de Rhodes).[48] – Novella about an eighteen-year-old girl educated and disciplined by her stern aunt and uncle.[49] Reprinted along with the novella Letters to a Lady Friend, in Whipped into Shape: Two Classic Erotic Novellas by Renaissance E Books Inc. (2004).
- Gynecocracy: A Narrative of the Adventures and Psychological Experiences of Julian Robinson, by "Viscount Ladywood" [pseud.] (1893),[50][51][52] the author recounts his punishment as a boy at the hands of the governness to whom he is sent, along with three female cousins, after having taken indecent liberties with a household maid. Forced to wear girls' clothing as his ordinary attire, Julian, now Julia, is subjected to frequent flagellations, as are his cousins, one of whom he later marries, submitting to her dominance through continued forced feminization and crossdressing.
- The Confessions of Georgina (1893) by Julian Robinson (aka Le Compte Du Bouleau, Stanislas Matthew de Rhodès) – a tale of bondage and domination that satirizes the hypocrisy of Victorian morality. Author of The Petticoat Dominant, or Woman's Revenge – The Autobiography of a Young Nobleman (1898), an early classic of male-submissive pinafore eroticism.
- Raped on the Railway: a True Story of a Lady who was first ravished and then flagellated on the Scotch Express (1894), anonymous,[53][54][55][56][57][58] by Charles Carrington[59] A married woman is raped by a stranger in a locked railway compartment and in a common trope in later Victorian pornography[57] is depicted as ultimately taking pleasure in the act:[60] she is then flagellated by her brother-in-law for the latter transgression.[61] The plot may have been inspired by the real-life case of Colonel Valentine Baker, who was convicted of an indecent assault on a young woman in a railway carriage in 1875.[53] An American adaptation, or plagiarism, was published in New York under the title Raped on the Elevated Railway, a True Story of a Lady who was First Ravished and then Flagellated on the Uptown Express, illustrating the Perils of Travel in the New Machine Age[62][63] set in New York.[64]
- A Full and True Account of the Wonderful Mission of Earl Lavender (1895) by John Davidson (London: Ward & Downey). A burlesque on the Decadent movement with private whipping clubs and other flagellatory adventures from noted poet, playwright, and humorist John Davidson.[65]
- Tales of Fun and Flagellation (1896) by Lady Gay Spanker [pseud.].[66] A diverse collection of anecdotes and stories.[67]
- The Torture Garden (1899) by Octave Mirbeau An allegorical examination of Western society, and of the human condition.
- The Memoirs of Dolly Morton: The Story of A Woman's Part in the Struggle to Free the Slaves, An Account of the Whippings, Rapes, and Violences that Preceded the Civil War in America, with Curious Anthropological Observations on the Radical Diversities in the Conformation of the Female Bottom and the Way Different Women Endure Chastisement (1899) under the pseudonym Jean de Villiot, probably Hugues Rebell[68] or Charles Carrington. Edited and published in London and Paris by Charles Carrington.[69] Another edition was published in Philadelphia in 1904.[70]
- Lashed into Lust: The Caprice of a Flagellator (1899)[71] by Anonymous. – French novel reprinted in 1908 with "James Lovebirch" as author. Reprinted in 2000 by Blue Moon Books (New York).
1900 to 1999
- "Frank" and I (1902) by Anonymous. Originally published in three volumes in England. Edwardian novel of flagellation pornography. A wealthy young man, who is "a lover of the rod", takes in "Frank", a teenage girl disguised as a boy. A 1983 film was released under alternative titles Frank and I and Lady Libertine.
- Maud Cameron and her Guardian (1903) by Charles Sackville, privately printed for subscribers only (Golden Birch House: London). Author of numerous flagellation novels published in London and Paris including: Two Lascivious Adventures of Mr. Howard – A continuation of Maud Cameron and her Guardian (1907), The Amazing Chastisements of Miss Bostock (1908), Three Chapters in the Life of Mr. Howard (1908), Whipping as a Fine Art – Being an Account of Exquisite and Refined Chastisement Inflicted by Mr. Howard on Grown-up Schoolgirls (1909), et al.
- Woman and Her Master (1904) by Jean de Villiot, pseudonym of Georges Grassal – a novel of flagellation erotica translated into English by Charles Carrington from the original 1902 French edition, La Femme et son maître.[72]
- Birch in the Boudoir (1905) by anonymous (attributed to Hugues Rebell, real name Georges Grassal), translated and published in Paris by Charles Carrington. Reprinted in 1989 by Blue Moon Books as Beauty in the Birch. - An exchange of racy letters about the amatory and disciplinary experiences of a new master of an English school for wayward girls and a woman living in an Arabian harem.
- The Mistress and The Slave (1905) by George Merder – a study of female domination and sadomasochism as an upper-class businessman is enslaved and brutalized by a Parisian street-girl. Translated from the original French edition, La Maitresse et l'Esclave (Maison Mystere, ca. 1903).
- La Flagellation Passionnelle (1906) by Don Brennus Aléra, pseudonym of Roland Brévannes. Between 1903 and 1936 he wrote and illustrated around 100 historical and contemporary novels about flagellation and crossdressing petticoat punishment.
- Les Onze Mille Verges (The eleven thousand rods) by Guillaume Apollinaire – written in the 1906–1907 period; the publication is unsigned and undated. Picasso thought this was the finest book he had ever read.[73]
- Sadopaideia: Being the Experiences of Cecil Prendergast Undergraduate of the University of Oxford Shewing How he was Led Through the Pleasant Paths of Masochism to the Supreme joys of Sadism. (1907) by anonymous. – Two-volume tale of a man who experiences both dominance and submission. Anthony Storr attributes it to Algernon Charles Swinburne.[74]
- The Beautiful Flagellants of New York (1907) by Lord Drialys (The Society of British Bibliophiles [Charles Carrington]: Paris) – follows an intrepid traveller's adventures from Chicago to Boston to New York. Originally published in three volumes, one for each city.[75] Reprinted by Olympia Press as The Beautiful Flagellants of Chicago, Boston and New York.
- Nos Belles flagellantes (1907) by Aimé Van Rod (Édition Parisienne: Paris). French author of dozens of flagellation novels including: Nouveax Contes de Fouet (1907), The Conjugal Whip (Le fouet conjugal) (1908), Le Fouet dominateur ou L'École des vierges, Les Mystéres du Fouet (both 1909), The Humiliations of Miss Madge (1912), Les Malheurs de Colette (1914), Visites fantastiques au pays du fouet (1922), Le Precepteur (1923), Memories d'une Fouettee (1924), et al.
- The Way of a Man with a Maid (ca. 1908) by Anonymous. First published in France, exact date and author unknown. Three-volume Edwardian novel of abduction, sex and sadism. Often reprinted as a single volume under the shorter title A Man with a Maid. Adapted to film in 1975 called What the Swedish Butler Saw.
- La Comtesse au fouet (1908), by Pierre Dumarchey (Pierre Mac Orlan)[76] – the story of a cruel dominatrix who turns the male hero into a "dog-man". Under the pen-name Miss Sadie Blackeyes, he wrote popular flagellation novels such as Baby douce fille (1910), Miss: The memoirs of a young lady of quality containing recollections of boarding school discipline and intimate details of her chastisement (1912), and Petite Dactylo et autres textes de flagellation (1913). And as "anonymous" wrote Masochists in America (Le Masochisme en Amérique: Recueil des récits et impressions personnelles d'une victime du féminisme) (1905).
- Éducation Anglaise (1908) by Lord Kidrodstock (Édition Parisienne: Paris) – early and unusual text featuring forced cross-dressing and flagellation. Boys and girls in an English boarding school are dressed alike in girls' clothes. They receive training by means of the discipline of tight corsets, narrow high-heeled boots, etc., reinforced by frequent application of the whip or the birch. Illustrated with ten drawings by Del Giglio.
- Coups de Fouet (1908) by Lord Birchisgood [pseud.] (Édition Parisienne, Roberts & Dardailons Éditeurs: Paris).[77] Author of Le Tour d'Europe d'un flagellant (1909),[78] et al.
- Les Cinq fessées de Suzette (Five Smackings of Suzette) (1910) by James Lovebirch [pseud.], published in Paris. Author of many popular flagellation novels such as L'Avatar de Lucette (The Misadventures of Lucette), Peggy Briggs, Au Bon Vieux Temps (all from 1913), and The Flagellations of Suzette (1915), Paris: Library Aristique.[79]
- Qui Aime Bien (1912) by Jacques d'Icy, pseudonym of author and artist Louis Malteste[80] (Jean Fort: Paris), illustrated by Malteste. Writer of many books of spanking/whipping erotica such as: Chatie Bien (1913), Monsieur Paulette et Ses Epouses (1921), Paulette Trahie (1922), Brassée de faits (1925), Les Mains Chéries (1927), et al.
- Le règne de la cravache et de la bottine (The Reign of the Riding Crop and the Boot) (1913) by Roland Brévannes, pseudonym of Bernard Valonnes (Select Bibliothèque: Paris) - humiliating animal roleplay, female-dominated men are forced to crawl about in bear suits. A theme explored in several of his books; in Les Esclaves-montures (Slave Mountings) (1920) and Le Club des Monteurs Humaines (1924), men are turned into obedient cart ponies.
- Fred: The True History of a Boy Raised as a Girl (1913) by Don Brennus Alera, pseudonym of Roland Brévannes – classic story of humiliating petticoat punishment (Pinafore eroticism). Followed by the sequels Frederique (1921), Frida (1924), Fridoline (1926), and Lina Frido (1927).
- Récits Piquants, chaudes aventures: scènes de féminisme. (1914) by Gilbert Natès, illustrated by G. Topfer. French compilation of various episodes of whipping. The punishers are all women, the victims boys and girls, young men and women. In several cases the male victims are forced to wear female clothing.
- Ulysses (1918–1920; 1922) by James Joyce employs themes of masochism,[79] especially in the "Circe" section which has multiple allusions to Venus in Furs.[81]
- Two Flappers in Paris (1920) by "A. Cantab" [pseud.] - two young women visitjing Paris are lured into a flagellatory brothel.[82]
- Esclaves Modernes (Modern Slaves) (1922) by Jean de Virgans, illustrated by Gaston Smit – unusual tale of power exchange (BDSM) with white European women whipped and abused by African natives. Virgans also wrote Flagellees in 1909.
- Histoire de l'oeil (Story of the Eye) (1928) by Georges Bataille - A short novel.
- Le Dressage de la Maid-Esclave (1930) by Bernard Valonnes, pseudonym of Roland Brévannes (Select Bibliothèque: Paris) - two-volume story of women trained as cart-pulling ponygirl slaves.
- The Discipline of Odette (1930) by Jean Martinet [pseud.] (Éditions Prima); English translation of the French whipping/spanking novel Matée par le fouet.
- Bagne de femmes (Jail for Girls) (1931) by Alan Mac Clyde [pseud.], Librairie Générale: Paris. One of the earliest of dozens of sadomasochistic novels by this unknown author. Followed by Dressage (1931), La Cité de l'horreur (1933), Servitude (1934), Dolly, Esclave (1936), et al.
- Dresseuses d'hommes (1931) by Florence Fulbert (Jean Fort: Paris), illustrated by Jim Black [Luc Lafnet].[83] Story of men dominated and punished by women.
- Sous la tutelle (Under Supervision) (1932) by René-Michel Desergy (Jean Fort: Paris), illustrated by Luc Lafnet – story of spanking, whipping and enema punishment. Author of numerous spanking and flagellation novels such as Trente Ans (1928), Severe Education (1931), Diana Gantee (1932), and Chambrieres De Haute Ecole (1934).
- Memoirs of a Dominatrice (1933) by Jean Claqueret (Jean Fort: Paris). French author of many whipping/spanking novels: Clotilde et Quelques Autres (1935), Humiliations chéries (1936), Pantalons sans défense (1938), et al.
- La Volupté du Fouet (The Pleasure of the Whip) (1938) by Armand du Loup, illustrated by famous French artist Etienne Le Rallic under the alias R. Fanny.
- Story of O (1954) by Pauline Réage – To prove her love, the protagonist submits to being kept in a château and abused by a group of men, one her official lover. Later, she resumes her normal life, while secretly becoming the property of a friend of her lover's.[84] It was made into a film in 1975.
- The Whip Angels (1955) by XXX or Selena Warfield, pseudonyms of Diane Bataille, second wife of French writer Georges Bataille (The Olympia Press: Paris)[85] – a pastiche of a Victorian erotic novel.
- L'Image (1956) by Jean de Berg (pseudonym of Catherine Robbe-Grillet). In 1975, it was made into a film, The Image, also titled as The Punishment of Anne.
- The Passionate Lash or The Revenge of Sir Hilary Garner (c. 1957) by Alan McClyde [pseud.] (Pall Mall Press: Paris) – Alan Mac Clyde was a popular house name used for erotic books from the 1920s to the 1970s.
- The Ordeal of the Rod (1958) by Bernard R. Burns [pseud]. (Ophelia Press: Paris).[86]
- The English Governess (Ophelia Press, 1960), revised as Harriet Marwood, Governess (1967) by John Glassco[87] under the pseudonym, "Miles Underwood".[88]
- Gordon (1966) by Edith Templeton – once-banned novel about a woman in postwar London who falls into an intense submissive relationship with a psychiatrist.
- The Master Spanker (1966) by Edward Landon (Unique Books), Venus In Bondage (1969) by Lurene Jones (N. P. Inc.), and Margo Lee: Diary of a Teenage Sado-Masochist (1969) by Red Young (Classic Publications: Los Angeles) are representative examples of the hundreds of S&M pulp novels produced in the U.S. in the 1960s by Corinth Publications, Taurus Press, Black Cat Books, Gargoyle Press, et al.
- Tarnsman of Gor (1967) by John Norman – first in a series of 27 erotic science fiction novels set on the planet Gor. The novels describe an elaborate culture of sexual master/slave relationships which have spawned a BDSM lifestyle subculture of followers who call themselves Goreans.
- Je... Ils... (1969) by Arthur Adamov – With stories like Fin Août. About Masochism, regarded as an "immunisation against death", but does not aim at erotic arousal.
- The Marquesa de Sade: Erotic Mistress of Exquisite Evil (1970) by Joseph LeBaron [pseud.] (Hanover House: North Hollywood) – adapted from the film produced by Jaybird Enterprises.
- Memoirs of a Slave (1976) by Rene Michel Desergy (Janus Publications: London) – a typical example of the many books and magazines fetish publisher Janus produced in the 1970s.
- Pagan Sex Orgy (1976) by Randy Palmer (Eros Publishing Co., Inc.: Wilmington, Delaware) – reflects the 1970s revival of occultism in books and film. Cover and illustrations by Bill Ward.[citation needed]
- The Correct Sadist (1983) by Terence Sellers (Grove Press: New York) – reverses the dominant-submissive roles of The Story of O to create a post-feminist American myth about power.[89][90]
- Die Klavierspielerin (Reinbeck, 1983) by Elfriede Jelinek, made into the film The Piano Teacher by director Michael Haneke.
- Anne Rice's sado-masochistic writing includes: Exit to Eden (1985), Belinda (1986), and The Claiming of Sleeping Beauty (1983) and sequels, Beauty's Punishment (1984) and Beauty's Release (1985). The Sleeping Beauty books she wrote as A.N. Roquelaure.
- Horror novelist Clive Barker's The Hellbound Heart (1986), is an extreme, gruesome study of sadomasochism, graphically illustrated with the brutal rituals of demonic antagonists.[91]
- Macho Sluts (1988) by Pat Califia[92]
- Something Leather (1990) by Alasdair Gray has as its framing story an initiation into sadomasochistic activities by the female operators of a leather clothing shop in Glasgow.
- The Ties that Bind (Le Lien) (1993) by Vanessa Duriès.
- Matriarchy: Freedom in Bondage, 1997 by Malcolm McKesson[93] (An Outsider artist) - A boy undergraduate student in Harvard college is dominated by his mistress, and forced to dress as a woman.
- Killing Me Softly (1999) by Nicci French. Made into a film of the same name in 2002 starring Heather Graham.
21st century
- The Marketplace (2000–2001) series of novels by Laura Antoniou.[citation needed]
- Permanent Obscurity: Or A Cautionary Tale of Two Girls & Their Misadventures with Drugs, Pornography and Death by Dolores Santana (as told to Richard Perez) by Richard Perez (Ludlow Press 2010)- A cautionary neo-sexploitation tale featuring two East Village young women who embark on an ill-fated attempt at making a female domination film. The book also explores various themes of dominance and submission, power-exchanges, and a femdom relationship involving one of the two central characters, Serena, and her "sub" nicknamed Baby.
- Mark Ramsden's three novels The Dark Magus and the Sacred Whore, The Dungeonmaster's Apprentice (both Serpent's Tail 1999) and The Sacred Blood (Serpent's Tail 2001) are a darkly comic series of thrillers about the occult, fetishism and the BDSM scene.[citation needed]
- Diane Whiteside's The Switch (2006) is an erotic romance in which a hyper masculine male finds strength in submission to an alpha female and together they explore power exchange and light S/M.[94][95]
- Kushiel's Dart (2001) by Jacqueline Carey - A dual genre work, belonging to fantasy fiction and BDSM fiction, along with its sequels.[citation needed]
- Freedom is Slavery by Louis Friend - A collection of BDSM short stories.[citation needed]
- Fifty Shades of Grey (2011) by E. L. James, a best-selling trilogy of novels followed by the sequels Fifty Shades Darker (2011), and Fifty Shades Freed (2012). There is also an upcoming film in development from Universal Studios.
- The Fixer (2011), a series of short works; The Third Secret, a story of blackmail and master-slave love; and A Breed Apart (2011), a story of a woman trying to save her marriage and finding she needs to be a slave, all by Mitchell Joyce.[citation needed]
- Never the Face[96] (2011) by Ariel Sands, an account of a dominant-submissive relationship that descends into abuse between a man, David, and a woman named only as "Kitten" or "Bitch".[97]
- PLAY (2011) by Jess C Scott is a collection of non-pornographic BDSM short stories. Themes include a rape fantasy, bondage and knife play, and erotic asphyxiation.[98]
- THE SIREN (MIRA Books 2012) by Tiffany Reisz is the first in a series of BDSM novels (The Original Sinners series) featuring a quirky and beautiful Dominatrix, her various lovers (including a Catholic priest), and her wealthy and powerful clients.
Mainstream films
Consensual BDSM is not generally depicted accurately or sympathetically in mainstream films, to say the least; however, film-makers often find some way to incorporate BDSM imagery into many films. The following films feature BDSM as a major plot point, not just as an exploitative add-on.[99]Art movies:
- The Whip and the Body (La Frusta e il Corpo) (1963), directed by Mario Bava and starring Christopher Lee and Daliah Lavi
- The Embryo Hunts In Secret (1966), Japanese film directed by Kōji Wakamatsu
- Belle de jour (1967), directed by Luis Buñuel and starring Catherine Deneuve
- De Sade (1969), directed by Cy Endfield and starring Keir Dullea and Senta Berger
- Venus in Furs (1969), directed by Massimo Dallamano and starring Laura Antonelli and Régis Vallée
- Marquis de Sade: Justine (1969), directed by Jess Franco
- The Libertine, (La Matriarca) (1969)
- Eugenie... the Story of Her Journey into Perversion (1970), directed by Jess Franco
- The Frightened Woman, aka Femina Ridens, The Laughing Woman (1969), directed by Piero Schivazappa
- Eugenie de Sade (1970), another Jesus Franco adaptation of de Sade
- Daughters of Darkness, (Le Rouge aux Lèvres) (1971), directed by Harry Kümel and starring Delphine Seyrig and John Karlen
- The Nightcomers (1971), directed by Michael Winner and starring Marlon Brando and Stephanie Beacham
- Last Tango in Paris (1972), directed by Bernardo Bertolucci and starring Marlon Brando and Maria Schneider
- Justine de Sade (1972), directed by Claude Pierson
- The Bitter Tears of Petra von Kant, (Die Bitteren Tränen der Petra von Kant) (1972) directed by Rainer Werner Fassbinder
- Flower and Snake (花と蛇 - Hana to Hebi) (1974), directed by Masaru Konuma and starring Naomi Tani
- The Night Porter, (Il Portiere di notte) (1974), directed by Liliana Cavani and starring Dirk Bogarde and Charlotte Rampling
- School of the Holy Beast (1974), nunsploitation classic starring Yumi Takigawa
- Wife to Be Sacrificed (生贄夫人 - Ikenie Fujin) (1974), directed by Masaru Konuma and starring Naomi Tani
- Story of O (Histoire d'O) (1975), directed by Just Jaeckin and starring Corinne Cléry
- The Image (The Punishment of Anne) (1975), directed by Radley Metzger
- Salò, or the 120 Days of Sodom (Salò o le 120 giornate di Sodoma) (1975), directed by Pier Paolo Pasolini
- Maîtresse (1976), directed by Barbet Schroeder starring Gérard Depardieu and Bulle Ogier
- Blood Sucking Freaks (The Incredible Torture Show) (1976)
- Sadomania (1981), directed by Jess Franco
- Lady Libertine (Frank and I) (1983), directed by Gérard Kikoïne and starring Sophie Favier
- A Woman in Flames (Die Flambierte Frau) (1983)
- Crimes of Passion (1984), directed by Ken Russell and starring Kathleen Turner and Anthony Perkins
- Seduction: The Cruel Woman (Verführung: Die grausame Frau) (1985)
- Blue Velvet (1986), written and directed by David Lynch and starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper and Laura Dern
- 9½ Weeks (1986), directed by Adrian Lyne and starring Kim Basinger and Mickey Rourke
- S&M Hunter (1986)
- Marquis de Sade's Prosperities of Vice (1988), Japanese "pink" film by Akio Jissoji
- Tie Me Up! Tie Me Down! (1990), directed by Pedro Almodóvar and starring Antonio Banderas and Victoria Abril
- Tokyo Decadence (Topazu) (1991), directed by Ryu Murakami and starring Miho Nikaido
- Bitter Moon (1992), directed by Roman Polanski and starring Hugh Grant, Kristin Scott Thomas, Emmanuelle Seigner, and Peter Coyote
- Spanking Love (1994)
- Venus in Furs (1994)
- Conspirators of Pleasure (1996), directed by Jan Švankmajer
- The Bondage Master (1996), a Japanese indie film directed by Keisuke Konishi
- Dark Prince (1996) (starring Nick Mancuso as the Marquis de Sade)
- Dark Secrets (1997)
- Of Freaks and Men (Pro urodov i lyudej) (1998)
- Lies (Gojitmal) (1999)
- Moonlight Whispers (Sasayaki) (1999)[100]
- Romance (Romance X) (1999), directed by Catherine Breillat and starring Caroline Ducey and Rocco Siffredi
- Quills (2000), directed by Philip Kaufman and starring Geoffrey Rush, Kate Winslet, Joaquin Phoenix and Michael Caine
- The Piano Teacher (La Pianiste) (2001), directed by Michael Haneke and starring Isabelle Huppert and Benoît Magimel
- Secretary (2002), directed by Steven Shainberg and starring James Spader and Maggie Gyllenhaal
- Bettie Page: Dark Angel (2004), a biopic starring Paige Richards
- The Dominatrix (2004), British drama on the life of a career dominatrix
- Going Under (2004)
- The Passion of Life (2005)
- A Year Without Love (Un año sin amor) (2005), directed by Anahi Berneri
- The Notorious Bettie Page (2006), a biopic directed by Mary Harron and starring Gretchen Mol in the title role
- Hounded (Verfolgt) (2007), directed by Angelina Maccarone
- The Pet (2006), a woman (Andrea Edmondson) agrees to live like a pet dog for her master (Pierre Du Lat)
- New Tokyo Decadence – The Slave (2007), directed by Osamu Satō and starring Rinako Hirasawa and Kikujiro Honda
- SM-rechter (2009), Belgian drama based on a real life case
- Pimp (2010), British drama with Kate Sissons as a fetish video performer
- Leap Year (Año bisiesto) (2010), Mexican drama directed by Michael Rowe
- The Choirboys (1977), directed by Robert Aldrich
- Eating Raoul (1982), directed by Paul Bartel and starring Mary Woronov
- Personal Services (1987), directed by Terry Jones and starring Julie Walters
- Exit to Eden (1994), directed by Garry Marshall and starring Rosie O'Donnell and Dan Aykroyd
- Preaching to the Perverted (1997), directed by Stuart Urban and starring Guinevere Turner and Christien Anholt
- Tomcats (2001)
- Walk All Over Me (2007), starring Tricia Helfer as a dominatrix and Leelee Sobieski
- Modern Love is Automatic (2009), bored nurse moonlights as a dominatrix
- Videodrome (1983), written and directed by David Cronenberg and starring James Woods and Deborah Harry
- Tightrope (1984), directed by Richard Tuggle and starring Clint Eastwood and Geneviève Bujold
- Basic Instinct (1992), directed by Paul Verhoeven and starring Michael Douglas and Sharon Stone
- Body of Evidence (1993), directed by Uli Edel and starring Madonna and Willem Dafoe
- 8 mm (1999), directed by Joel Schumacher and starring Nicolas Cage and Joaquin Phoenix
- The Cell (2000), directed by Tarsem Singh
- Ichi the Killer (2001), directed by Takashi Miike
- Killing Me Softly (2002), directed by Chen Kaige
Television
- Full Exposure: The Sex Tapes Scandal (1989), made-for-TV film. Police investigate underground S&M clubs looking for a serial killer. Vanessa Williams plays a hooker/dominatrix who videotapes her clients.
- Mercy (film) (2000) HBO cable-television movie starring Ellen Barkin and Peta Wilson. Murder mystery leads to a secret S&M society.
- Jack of All Trades is a comedy-adventure series set in the 19th century starring Bruce Campbell. In the episode "X Marquis the Spot" (2000), Jack visits the island resort of the Marquis de Sade and competes in an S&M-themed obstacle course race that parodies Survivor.
- Doc Martin, British television comedy-drama series starring Martin Clunes. In the episode "Old Dogs" (2005), the title character is consulted by a man who seems to have a habit of inexplicably injuring himself; it is later revealed that the man and his wife engage in BDSM, with the husband as the submissive.
- Secret Diary of a Call Girl (2007); in the fourth episode, "Belle" (Billie Piper) takes BDSM lessons from a professional dominatrix as a favor for her accountant who is a closet submissive.
- Dollhouse (2009); the beginning of the 9th episode shows Echo (Eliza Dushku), returning from an assignment as a leather-clad whip-wielding dominatrix.
- On the Alias (2003) 2nd season episode "Second Double", Agent Bristow (Jennifer Garner) goes undercover as a German dominatrix in a Berlin leather bar.
- The FOX series The Inside episode "Old Wounds" dealt exclusively with S&M, and was criticized by the Parents Television Council as a result.[101]
- The television series CSI: Crime Scene Investigation has featured Melinda Clarke as professional dominatrix Lady Heather in six episodes, most notably in the 90-minute special episode "Lady Heather's Box".[102]
- Season 4 of HBO series Six Feet Under features a character (Joe) who wants to adopt a submissive sexual role in his relationship with Brenda.[citation needed]
- A Family Guy gag (from the episode "Let's Go to the Hop") depicts main characters Lois and Peter suiting up for a sadomasochistic session while having a mundane conversation about how wholesome their children are, and why they can be trusted. Toys have been made of this scene.[103] In the audio commentary for that episode it is noted that such a practice seemed normal to them.
- Season 1 of the FOX medical drama House, episode "Love Hurts" a patient is deeply involved in a BDSM relationship.
- Rex Van de Kamp of Desperate Housewives was unveiled as a lover of S&M, much to the disgust of his wife, Bree.[104] In Come Back to Me, Sharon Lawrence plays Maisy Gibbons, a dominatrix who walks across Rex's back in stiletto heels.
- Season 2 of NBC's Friday night drama Homicide: Life on the Street, in the episode "A Many Splendored Thing".[105] Detectives Bayliss and Pembleton investigate a murder in the S&M club scene. Bayliss expresses his disgust at the 'perversion', but the episode ends with his return to a leather shop, where he purchases a studded and belted leather jacket. This episode is the beginning of the character's sexual awakening, as he becomes comfortable with his bisexual feelings.
- ER – a professional dominatrix with broken fingers and her male slave, who was injured in a fall during a bondage/suspension session, are admitted to the emergency room.
- Private Practice – in the 2nd season, cast member KaDee Strickland is seen roleplaying as a German dominatrix with a latex outfit, studded collar, and a whip.
- Season 5 of FX's Nip/Tuck has Sean crossing paths with a Hollywood agent (Craig Bierko) with horrific wounds on his chest and the dominatrix (Tia Carrere) who inflicted them on him in the episode "Carly Summers".
- Rescue Me (2009) – In "Initiation" (Season 5, episode 15), Callie Thorne's character seduces Tommy (Denis Leary) dressed as a cheerleader, Playboy bunny and latex-clad dominatrix. They are briefly seen paddling each other in a fast-motion sequence.
- HBO's series, The Sopranos, features multiple characters who engage in sadomasochism.
- In The Sopranos episode, "Mergers and Acqusitions", Valentina La Paz reports, in disgust, to Tony Soprano that in lieu of having conventional sexual relations, Soprano family mob captain, Ralph Cifaretto, asks her to scrape a cheese grater across his back and pour hot candle wax on his testicles.
- In The Sopranos episode "The Knight in White Satin Armor", Janice Soprano tells her sister-in-law, Carmela, that Janice allows Richie Aprile to hold a gun to Janice's head when they have sex.
Carmela: In a year, tops, you're gonna have to accept a comare.
- CSY (NY) Season 1/ep 16
Janice: Oh, yeah? Well I'd like to see a comare who's gonna let him hold a gun to their head when they fuck. Carmela: You let him hold a gun to your head during sex? Janice: Yeah. Well, if that gets him off, I mean, it's not any different than garter belts and nurse's uniforms. Carmela: Well, it's a gun, Janice. I thought you were a feminist. Janice: Usually, he takes the clip out.
- Allo Allo Season 1/ep 2;Season 3/ep 5
- In the anime and manga Gin Tama, characters Sogo Okita and Sarutobi Ayame often practice sadism and masochism respectively.
Drama
- Thomas Shadwell's play The Virtuoso (1676) includes an old libertine named Snarl who entreats a prostitute, Mrs Figgup, to bring out the birch rods. It is unclear if he is to flog her or be flogged.[40][106][107][108]
- Sodom, or the Quintessence of Debauchery (1684), an obscene Restoration closet drama thought to be by John Wilmot, 2nd Earl of Rochester.[109]
- In Thomas Otway's play Venice Preserv'd (1682), Act III, Scene i, an old senator, Antonio, visits the house of Aquilina, a Greek courtesan. Antonio pretends to be a bull, then a frog, begging her to spit on him, and then a dog, biting her legs. She whips him, then throws him out and tells her footmen to keep him out.[108]
- Jean Genet's play The Maids (1947) concerns two maids who play out dominant and submissive roles.
- Genet's play The Balcony (1957) is set in a brothel where clients and staff perform various fetishized roles while a revolution brews outside.
Poetry
- The Rodiad (1871), a pornographic poem on the subject of flagellation, falsely attributed to George Colman the Younger:[110] probably by Richard Monckton Milnes, 1st Baron Houghton.[111][112][113]
- Algernon Charles Swinburne wrote poetry on erotic flagellation, some of which was published anonymously in The Whippingham Papers (ca. 1888).[114]
- Squire Hardman (1967) by John Glassco, purporting to be a reprint of an 18-th century poem by George Colman the Younger, is a long poem in heroic couplets on the theme of flagellation.[115]
Music
- "The Masochism Tango" (1959)[116] by Tom Lehrer uses the powerful rhythm of tango music and iconic implements like castanets and roses to comedic effect.
- "Venus in Furs" (1966) by The Velvet Underground takes its title and subject matter from the 1870 novella of the same name by Leopold von Sacher-Masoch. It is quite possibly the first pop song to detail an S&M encounter and relationship in explicit, unequivocal terms.[citation needed]
- "Little Toy Soldier" (1967) by David Bowie is an early, unreleased track which recites lyrics from the Velvet Underground's "Venus in Furs" as part of its chorus; although the song's humorous treatment of S&M owes more to the cockeyed psychedelia of Syd Barrett.[citation needed]
- "I Wanna Be Your Dog" (1969), "Dirt" (1970) and "Gimme Danger" (1973) by The Stooges all clearly indicate powerful masochistic tendencies and behavior on the part of the singer, Iggy Pop.[citation needed]
- "Submission" (1976) by The Sex Pistols is a song which uses wordplay ("submission" as short for "submarine mission") to convey the ambiguities of an obsessive S&M relationship, albeit obliquely.[citation needed]
- "Whips & Furs" and "I Need a Slave" (both 1977) by The Vibrators are two classic London punk-era songs which address the topic of recreational S&M.[citation needed]
- "Bobby Brown" from 1979's Sheik Yerbouti by Frank Zappa is a narrative of a man who transforms from a misogynist teenager to a BDSM-practicing homosexual disc jockey after an unpleasant encounter from Freddie, a woman's rights activist.
- "Whip in My Valise" (1979) by Adam and the Ants expresses a fascination with S&M play in fairly explicit terms;[117] many of Adam Ant's other early songs of the 1970s, such as "Rubber People",[118] "B-Side Baby",[119] "Ligotage"[120] and "Beat My Guest",[121] also describe similar kinds of sexual fetishes.
- "Melt!" (1982) by Siouxsie and the Banshees describes an intense romantic relationship in terms evocative of an S&M encounter.[citation needed]
- "Twisted Little Sister" (1983) & "The Whip" (1984) by Savatage
- "Master and Servant" (1984) by Depeche Mode
- "Pleasureslave" (1988) by Manowar
- "Bed of Nails" (1989) by Alice Cooper
- "Pretty Tied Up" (1991) by Guns N' Roses
- "Happiness in Slavery" (1992) by Nine Inch Nails takes its title and refrain from Jean Paulhan's preface to Story of O.[122]
- "Dominated Love Slave" (1992) by Green Day, lyrics by Tré Cool, told from the point of view of a submissive masochist.[123]
- "Fetish" and "Baby Blue" (both 1999) by Joan Jett and the Blackhearts are two songs focused on this theme.
- The video for "Missile" (2004) by IAMX shows Chris Corner first bound-down to a chair and then handcuffed with leather straps while his ex-girlfriend Sue Denim acts as a dominatrix.
- "Ich Tu Dir Weh" (2009) by Rammstein contains fairly extreme examples of S&M, enough to get it banned from public display or sale to minors in Germany in November 2009 by the Federal Office for the Examination of Media Harmful to Young People (Bundesprüfstelle für jugendgefährdende Medien). After a hearing, the ban was lifted in 2010.[124] Several other songs by the band have also dealt with BDSM themes, such as "Feuerräder" and "Bück Dich".
- "S&M" (2011) by Rihanna from her album Loud.
Opera
- Lady Bumtickler's Revels (1872), a comic opera on the theme of flagellation written and published by John Camden Hotten.[125][126][127]
References
Footnotes
- ^ Storr, Anthony (1991). Human destructiveness: the roots of genocide and human cruelty. Routledge. p. 87. ISBN 0-415-07170-4.
- ^ Imperial Masochism: British Fiction, Fantasy, and Social Class by John Kucich (Princeton University Press, 2006)
- ^ An esthetics of masochism? The author wonders if the curators of an Austrian exhibition on masochism in art erred in taking an overly literal approach to their subject From Art in America (4/1/2004) by Barry Schwabsky
- ^ Barbara Steele's Ephemeral Skin: Feminism, Fetishism and Film by Lecturer Patricia MacCormack of Anglia Polytechnic University, Cambridge
- ^ Sadism, Masochism, Food and Television
- ^ Patrick J. Kearney (1982) pp.34-46
- ^ Muchembled, Robert (2008). Orgasm and the West: a history of pleasure from the 16th century to the present. Polity. p. 77. ISBN 0-7456-3876-7.
- ^ Storr, Anthony (1991). Human destructiveness: the roots of genocide and human cruelty. Routledge. p. 88. ISBN 0-415-07170-4.
- ^ Henderson, Andrea K. (2008). Romanticism and the painful pleasures of modern life. Cambridge studies in Romanticism. 75. Cambridge University Press. p. 15. ISBN 0-521-88402-0.
- ^ Largier, Niklaus; Harman, Graham (2007). In praise of the whip: a cultural history of arousal. Zone Books. p. 339. ISBN 1-890951-65-X.
- ^ Thomas (1969) p.278
- ^ (Wood 1995, p. 1, "Derivations and Definitions".) "The term sadism derives from the Marquis de Sade (1740-1814), a French nobleman imprisoned for his libertinism, and for writing fantastic novels, such as Justine [1797] and Juliette [1797] that equated sexual pleasure with the inflicting of pain, humiliation, and cruelty".
- ^ Bloch, Iwan (2002). Marquis de Sade: His Life and Works. The Minerva Group. pp. 249–250. ISBN 1-58963-567-1.
- ^ Young, Paul J. (2008). Seducing the eighteenth-century French reader: reading, writing, and the question of pleasure. Ashgate Publishing. p. 124. ISBN 0-7546-6417-1.
- ^ Mudge, Bradford Keyes (2000). The whore's story: women, pornography, and the British novel, 1684-1830. Ideologies of desire. Oxford University Press. p. 246. ISBN 0-19-513505-9.
- ^ Fowler, Patsy; Jackson, Alan (2003). Launching Fanny Hill: essays on the novel and its influences. AMS studies in the eighteenth century. 41. AMS Press. p. 169. ISBN 0-404-63541-5.
- ^ Binhammer, Katherine (2003). "The "Singular Propensity" of Sensibility's Extremities: Female Same-Sex Desire and the Eroticization of Pain in Late-Eighteenth-Century British Culture". GLQ: A Journal of Lesbian and Gay Studies 9 (4): 471–498. doi:10.1215/10642684-9-4-471.
- ^ Rachel Potter, "Obscene Modernism and the Trade in Salacious Books", Modernism/Modernity, Volume 16, Number 1, January 2009, pp.87-104 doi:10.1353/mod.0.0065 [1]
- ^ Eliot, Simon (2000). "Hotten: Rotten: Forgotten? An Apologia for a General Publisher". Book History 3: 61–93. doi:10.1353/bh.2000.0007.
- ^ Bold, Alan Norman (1983). The Sexual dimension in literature. Critical studies series. Vision Press. p. 107. ISBN 0-85478-304-0.
- ^ Marcus, Sharon (2007). Between women: friendship, desire, and marriage in Victorian England. Princeton University Press. p. 142. ISBN 0-691-12835-9.
- ^ Walter M. Kendrick, "The secret museum: pornography in modern culture", University of California Press, 1996, ISBN 0-520-20729-7, p.168
- ^ Hirschfeld, Magnus (1936). Sexual anomalies and perversions: physical and psychological development and treatment. Francis Aldor. p. 312.
- ^ Bloch, Iwan (1903). Der Einfluss äusserer Faktoren auf das Geschlechtsleben in England. M. Lilienthal. p. 88.
- ^ Heath, Stephen (1983). L'enigma del sesso. Nuova biblioteca Dedalo. 23. Edizioni Dedalo. p. 212. ISBN 88-220-6023-7.
- ^ a b Thomas (1969) p.271
- ^ Heath, Stephen (1992). ""Difference"". In Merck, Mandy. The Sexual subject: a Screen reader in sexuality. Routledge. p. 75. ISBN 0-415-07467-3.
- ^ Savran (1998) pp.15,323
- ^ Weigle, Marta (2007). A Penitente Bibliography. Sunstone Press. p. 24. ISBN 0-86534-613-5.
- ^ Sigel (1991) pp.105-116
- ^ Lewis, Roy Harley (1981). The book browser's guide to erotica. David & Charles. p. 158. ISBN 0-7153-7949-6.
- ^ Anderson, Patricia J. (1995). When passion reigned: sex and the Victorians. BasicBooks. p. 95. ISBN 0-465-08991-7.
- ^ Kanner, Barbara (1990). Women in English social history, 1800-1914: a guide to research. 2. Garland. p. 539. ISBN 0-8240-9168-X.
- ^ Marcus, Steven (2009). The other Victorians: a study of sexuality and pornography in mid-nineteenth-century England. Transaction Publishers. p. 75. ISBN 1-4128-0819-7.
- ^ Bloch (1938) p.361
- ^ Green, Jonathon; Karolides, Nicholas J. (2005). The encyclopedia of censorship. Facts on File library of world history. Infobase Publishing. p. 93. ISBN 0-8160-4464-3.
- ^ White, Chris (2003). Critical Survey. 15. http://www.questia.com/googleScholar.qst?docId=5006533372.
- ^ Anthony E. Simpson (1987). "Vulnerability and the age of female consent: legal innovation and its effect on prosecutions for rape in eighteenth-century London". In Rousseau, George Sebastian; Porter, Roy. Sexual underworlds of the Enlightenment. Manchester University Press. p. 199. ISBN 0-7190-1961-3.
- ^ Bloch (1938) pp.360,450
- ^ a b Weinberg, Thomas S.; Kamel, G. W. Levi (1983). SandM, studies in sadomasochism. New concepts in human sexuality. Prometheus Books. p. 139. ISBN 0-87975-218-1.
- ^ Ashbee (1877) pp.246-251
- ^ Rosset, Barney; Jordan, Fred, eds. (1984). Evergreen review. 98. Grove Press. p. 117. ISBN 0-394-62001-1.
- ^ Thomas (1969) p.276
- ^ Saville, Julia F. (2000). A queer chivalry: the homoerotic asceticism of Gerard Manley Hopkins. Victorian literature and culture. University of Virginia Press. pp. 153–154. ISBN 0-8139-1940-1.
- ^ Heller, Tamar (1997). "Flagellating Feminine Desire: Lesbians, Old Maids, and New Women in "Miss Coote's Confession," a Victorian Pornographic Narrative". Victorian newsletter (Western Kentucky University) (92): 9–14. ISSN 0042-5192.
- ^ Dostoyevsky, Fyodor (1880). "Chapter VIII: Over The Brandy". The Brothers Karamazov. http://www.gutenberg.org/files/28054/28054-h/28054-h.html. Retrieved 20 February 2012.
- ^ Donald Serrell Thomas, "Swinburne, the poet in his world", Oxford University Press, 1979, ISBN 0-19-520136-1, pp.109,215-6
- ^ Kearney (1981) p.164
- ^ Lansbury, Coral (1985). The old brown dog: women, workers, and vivisection in Edwardian England. University of Wisconsin Press. p. 105. ISBN 0-299-10250-5.
- ^ Bonnie Bullough, "Cross dressing, sex, and gender", University of Pennsylvania Press, 1993, ISBN 0-8122-1431-5, page 211
- ^ Richard Ekins, "Blending genders: social aspects of cross-dressing and sex-changing", Routledge, 1996, ISBN 0-415-11551-5, appendix 1
- ^ Gynecocracy retrieved 2007-04-30
- ^ a b Matthew Sweet, Inventing the Victorians, Faber and Faber, 2001, ISBN 978-0-571-20663-6 page 216
- ^ Lee Grieveson, Peter Krämer, The Silent Cinema Reader, Routledge, 2004, ISBN 0-415-25284-9, p. 59
- ^ Ronald Pearsall (1969) The Worm in the Bud: the world of Victorian sexuality, Macmillan; pp. 321, 364
- ^ Peter Mendes, "Clandestine erotic fiction in English, 1800-1930: a bibliographical study", Scolar Press, 1993, ISBN 0-85967-919-5, p. 319
- ^ a b Alan Norman Bold, "The Sexual Dimension in Literature", Vision Press, 1983, ISBN 0-389-20314-9, pp.94,97,102
- ^ Claire Preston, A dictionary of literary terms and literary theory, Wiley-Blackwell, 1998, ISBN 0-631-20271-4, p.688
- ^ Rachel Potter, "Obscene Modernism and the Trade in Salacious Books", Modernism/modernity, vol.16, no.1 (January 2009) pp.87-104 doi:10.1353/mod.0.0065 [2]
- ^ Mark Bracher, Lacan, discourse, and social change: a psychoanalytic cultural criticism, Cornell University Press, 1993, ISBN 0-8014-8063-9, pp.86-87
- ^ Patricia J. Anderson, When passion reigned: sex and the Victorians, BasicBooks, 1995, ISBN 0-465-08991-7, pp.99-106
- ^ Alan Norman Bold, "The Sexual Dimension in Literature", Vision Press, 1983, ISBN 0-389-20314-9, p.97
- ^ Howard Whitman, The sex age, Doubleday, 1962, p.64
- ^ Kyle-Keith, Richard (1961). The high price of pornography. Public Affairs Press. p. 30.
- ^ Sloan, John (1995). John Davidson, first of the moderns: a literary biography. Oxford University Press. p. 131. ISBN 0-19-818248-1.
- ^ Bending, Lucy (2000). The representation of bodily pain in late nineteenth-century English culture. Oxford English monographs. Clarendon Press. p. 267. ISBN 0-19-818717-3.
- ^ Fryer, Peter (1968). The man of pleasure's companion: a nineteenth century anthology of amorous entertainment. Barker. p. 12.
- ^ Kearney (1982) p.161
- ^ Emma Goldman, Candace Falk, Barry Pateman, Jessica M. Moran, "Emma Goldman: Making speech free, 1902-1909" (Volume 2 of Emma Goldman: A Documentary History of the American Years, Jessica M. Moran) Emma Goldman Series, University of California Press, 2004, ISBN 0-520-22569-4, pp.514
- ^ Library Company of Philadelphia (1996). 1995 Annual Report. Library Company of Philadelphia. p. 28. ISBN 1-4223-6128-4.
- ^ Eulenburg, Albert; Lange, Carl Georg; Loewenfeld, Leopold; Möbius, Paul Julius; Näcke, Paul; Kurella, Hans (1903). Sinnesgenüsse und Kunstgenuss: Beiträge zu einer sensualistischen Kunstlehre. Grenzfragen des Nerven- und Seelenlebens. Bergmann. p. 104.
- ^ Schick, İrvin Cemil (1999). The erotic margin: sexuality and spatiality in alteritist discourse. Verso. p. 143. ISBN 1-85984-732-3.
- ^ Lisa Z. Sigel, "International exposure: perspectives on modern European pornography, 1800-2000", Rutgers University Press, 2005, ISBN 0-8135-3519-0, p.132
- ^ Kearney (1981) p.215
- ^ de Lacaze-Duthiers, Gérard (1956). La torture à travers les âges. Éditions de l'idée libre. p. 55.
- ^ Baines, Roger W. (2000). 'Inquietude' in the work of Pierre Mac Orlan. Faux titre. 192. Rodopi. p. 207. ISBN 90-420-1343-5.
- ^ Bécourt, Daniel (1961). Livres condamnés, livres interdits: régime juridique du livre : outrages aux bonnes mœurs arrêtés d'interdiction. Cercle de la librairie. p. 22.
- ^ Kearney (1981) p.324
- ^ a b Watt, Stephen (1996). "'Nothing for a woman in that': James Lovebirch and masochistic fantasy in Ulysses". In Kershner, R. B.. Joyce and popular culture. The Florida James Joyce series. University Press of Florida. pp. 74–88. ISBN 0-8130-1396-8.
- ^ Kearney (1981) p.236
- ^ Gifford, Don; Seidman, Robert J. (2008). Ulysses annotated: notes for James Joyce's Ulysses. University of California Press. p. 502. ISBN 0-520-25397-3.
- ^ Baldick, Chris, ed. (2004). The Modern Movement 1910-1940. The Oxford English Literary History. 10. Oxford University Press. p. 384. ISBN 0-19-818310-0.
- ^ Stirratt, Betsy; Johnson, Catherine, eds. (2003). Feminine persuasion: art and essays on sexuality. Indiana University Press. p. 88. ISBN 0-253-21589-7.
- ^ (Wood 1995, p. 2, "Sadomasochistic Literature in Earlier Cultures".) "Pauline Réage's The Story of O (1954) made a great impact on lesbian erotic writing..."
- ^ Bak, Hans (2004). Uneasy alliance: twentieth-century American literature, culture and biography. Rodopi. p. 217. ISBN 90-420-1611-6.
- ^ De Grazia, Edward (1992). Girls lean back everywhere: the law of obscenity and the assault on genius. Random House. p. 257. ISBN 0-394-57611-X.
- ^ Lecaros, Cecilia Wadsö (2001). The Victorian governess novel. Lund studies in English. 100. Lund University Press. p. 280. ISBN 91-7966-577-2.
- ^ Sutherland, Fraser (1984). John Glassco, an essay and bibliography. ECW Press. pp. 34, 52–53. ISBN 0-920802-78-8.
- ^ Harriett Gilbert, "Fetishes, Florentine girdles, and other explorations into the sexual imagination", HarperPerennial, 1994, ISBN 0-06-273313-3, p.66
- ^ Andrei Codrescu, "The Stiffest of the corpse: an Exquisite corpse reader", City Lights Books, 1989, ISBN 0-87286-213-5
- ^ Badley, Linda (1996). Writing horror and the body: the fiction of Stephen King, Clive Barker, and Anne Rice. Contributions to the study of popular culture. 51. Greenwood Publishing Group. p. 96. ISBN 0-313-29716-9.
- ^ (Wood 1995, p. 4, "Pat Califia".)
- ^ "Indie presses light fuses under the book biz". New York Magazine: pp. 16–17. 16 June 1997.
- ^ http://dianewhiteside.com/books/the-switch
- ^ http://www.goodreads.com/book/show/621632.The_Switch
- ^ Sands, Ariel (2011). Never The Face. St. Martin's Press. ISBN 978-0-312-56386-8.
- ^ Messud, Claire (June 2011). "Never the Face". Guernica. http://www.guernicamag.com/interviews/2768/ariel_sands_6_15_11/. Retrieved 30 December 2011.
- ^ jessINK | PLAY Anthology
- ^ Sadism and masochism in mainstream film
- ^ FILM REVIEW; Masochists Always Hurt The Ones They Love By A. O. SCOTT (November 22, 2000)
- ^ Parents Television Council Presents: Worst TV Show of the Week - The Inside on Fox By Caroline Schulenburg
- ^ "Lady Heather (Melinda Clarke), a dominatrix"
- ^ Family Guy 'Nighttime' Peter and Lois
- ^ "Cherry says other deleted "Housewives" content that could grace a DVD include an S&M sequence featuring Sharon Lawrence and Steven Culp, who plays Bree Van De Kamp's husband, Rex"
- ^ A Many Splendored Thing
- ^ Styan, J. L. (1986). Restoration comedy in performance. Cambridge University Press. p. 188. ISBN 0-521-27421-4.
- ^ Canfield, John Douglas (1997). Tricksters & estates: on the ideology of Restoration comedy. University Press of Kentucky. pp. 106–107. ISBN 0-8131-2012-8.
- ^ a b Savran (1998) p.20
- ^ Johnson, J.W. (1987). "Did Lord Rochester write Sodom?". Publications of the Bibliographical Society 81: 119–153.
- ^ Knight, George Wilson (1971). Neglected powers: essays on nineteenth and twentieth century literature. Routledge. p. 129. ISBN 0-7100-6681-3.
- ^ Whyte, Christopher (1995). Gendering the nation: studies in modern Scottish literature. Edinburgh University Press. p. 216. ISBN 0-7486-0619-X.
- ^ Lycett, Andrew (12 March 2001). "Erotic heaven". New Statesman.
- ^ Nelson, James G. (2000). Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley, Wilde, Dowson. Pennsylvania State University Press. p. 10. ISBN 0-271-01974-3.
- ^ Bragman, L.J. (1934). "The Case of Algernon Charles Swinburne: a Study in Sadism". Psychoanal. Rev., 21:59-74.
- ^ Hammill, Faye (2009). "John Glassco, Canadian erotica and the 'Lying Chronicle'". In Anctil, Pierre; Loiselle, Andre; Rolfe, Christopher. Canada exposed. Canadian Studies. 20. Peter Lang. pp. 279–296. ISBN 90-5201-548-1.
- ^ , Tom Lehrer in Concert, London, 1959.
- ^ http://www.antlady.nl/lyrics/WhipInMyValise.html
- ^ http://www.antlady.nl/lyrics/RubberPeople.html
- ^ http://www.antlady.nl/lyrics/BSideBaby.html
- ^ http://www.antlady.nl/lyrics/Ligotage.html
- ^ http://www.antlady.nl/lyrics/BeatMyGuest.html
- ^ "Negating O"
- ^ Egerdahl, Kjersti (2009). Green Day: A Musical Biography. The Story of the Band. ABC-CLIO. pp. 35,146. ISBN 0-313-36597-0.
- ^ "Rammstein album ban reversed"
- ^ John Sutherland (1990). The Stanford Companion to Victorian Fiction. Stanford University Press. p. 307. ISBN 0-8047-1842-3.
- ^ Prins, Yopie (1999). Victorian Sappho. Princeton University Press. p. 152. ISBN 0-691-05919-5.
- ^ Thomas (1969) p.280
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- Wood, Robert (1995). Sadomasochistic Literature. glbtq.com. New England Publishing Associates. http://www.glbtq.com/literature/sadom_lit.html. Retrieved 2007-12-14
- Ashbee, Henry Spencer (1877). Index Librorum Prohibitorum: being Notes Bio- Biblio- Icono- graphical and Critical, on Curious and Uncommon Books. London: privately printed.
- Bloch, Iwan (1938). Sexual life in England, past and present. F. Aldor.
- Patrick J. Kearney, "The Private Case: an annotated bibliography of the Private Case Erotica Collection in the British (Museum) Library", J. Landesman, 1981
- Kearney, Patrick J. (1982). A history of erotic literature. Parragon. ISBN 1-85813-198-7.
- Mendes, Peter (1993), Clandestine Erotic Fiction in English, 1800-1930: A Bibliographical Study, Aldershot, Hants, England: Scolar Press; ISBN 0-85967-919-5
- Savran, David (1998). Taking it like a man: white masculinity, masochism, and contemporary American culture. Princeton University Press. ISBN 0-691-05876-8.
- Thomas, Donald Serrell (1969). A long time burning: the history of literary censorship in England. Routledge & Kegan Paul.
External links
- An article on gay and lesbian sadomasochistic fiction
- Biblio Curiosa, a bibliography of erotic and s&m literature in English and French
- Vintage SadoMasochistic Illustrators Vintage Visions is a large archive with artworks and bio from vintage illustrators involved in sm artworks
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